Satan is a Mathematician | |||||||||
Keith Allen Daniels | |||||||||
Anamnesis Press, 163 pages | |||||||||
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A review by Rich Horton
The book is subtitled "Poems of the Weird, Surreal, and Fantastic," which is pretty much
what we get. In a previous draft of this review, I dithered about trying to define "SF poetry,"
or "Fantastic poetry." To some extent I was interested in disproving the existence of such a
beast: after all, poetry is about sound and emotion (and ideas), and at least the first two
seem not to be definable in genre terms. But then, some poems really are about ideas, and
ideas, famously, are the stuff of much science fiction. And some emotions are perhaps best
evoked by images from SF or the fantastic. A trivial conclusion, I'm afraid. I will say,
though, that it seems to me that I read poetry of all sorts for the same reasons: sound and
emotion, while I read science fiction, at times, for explicitly different (neither superior
nor inferior) reasons than I read mainstream fiction. Enough, though.
What of the poems at hand?
One of my favourites is "The Poetasters' Café," which takes a harsh look at the
contemporary "coffeehouse" fashion for poetry readings and overly confessional writing. It's a
fine poem, but it's not SF, unless the use of vocabulary such as "coelacanth" and "phagocyte"
is sufficient to so mark a poem. On the other hand, "Sciomancy Nights," another fine effort,
uses an explicitly fantastical device, raising the spirits of the dead to speak to them, to
consider, in a slightly humorous manner, four historical figures (Bierce, Archimedes, Aldous
Huxley, Lincoln). Another angle Daniels uses is pure science: "The Discourse of the Stones"
imagines "deep time" through the history of rock. Not SF poetry, perhaps, but "geology poetry".
An occasional poem is concerned with a simple SFnal idea: "The Time Emitter," for example,
uses its own structure to convey the central notion. "Einstein's Brain" briefly sketches a
notion of what might have happened to the title object (once rumoured lost, if memory
serves). "The Death of NASA" is again perhaps not SF, but deeply concerned with the decline,
in our time, of the old SFnal dream of space travel.
On the whole these are interesting poems. Occasionally Daniels seems to believe that an exotic
use of vocabulary is sufficient to make a sequence of words poetry; on other occasions, the poems
seem not much but doggerel. But that is to complain about the lesser works of what is, after all, quite
a long collection by poetry standards. The best poems here are very good. For
example, "Leap to Infinity" is a lovely double haiku:
Anyone interested in contemporary poetry would do well to check out this book. And if you are also interested in SF and fantasy, attuned to the vocabulary and images of science and "the weird, surreal, and fantastic," you'll be even more likely to be attracted by Keith Allen Daniels' favoured image sets.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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