| Vatta's War: Trading in Danger, Part 2 | ||||||||
| Elizabeth Moon | ||||||||
| Multi-cast performance, adaptation | ||||||||
| GraphicAudio, 5 hours | ||||||||
|
A review by John Ottinger III
Vatta's War: Trading in Danger, Part 2, by Hugo-nominated and Nebula award winner Elizabeth Moon, picks up right
where Part 1 left off. As Part 1 closed, Kylara Vatta, captain of the trader ship Glennys Jones, had
been shot and her fate was unknown. As Part 2 of this audio drama opens, Kylara has survived being shot,
awakening in the hospital of one the mercenary ships that are interdicting the planet of Sabine Prime. Quickly
regaining her senses, but without the advantage of her implant (an iPhone for the brain), she returns to the Glennys
Jones only to find that her small trader ship is now to be a prison for crews from non-combatant ships in the Sabine
area, including one particularly belligerent captain. Forced to agree to the mercenaries' use of her ship as a cattle
car, Kylara must tread the thin tightrope of appeasing her guests while remaining in charge of the Glennys Jones,
her first command. Meanwhile, the mercenaries have left the system, leaving Kylara under the threat of mutiny.
Where Part 1 of this series was given over to creating and developing the character of Kylara as she left
the military academy under inauspicious circumstances to become one of the youngest trade captains ever, this second
part is much more action-packed and exciting. Onboard hand-to-hand fighting, the constant threat of annihilation
in the vacuum of space, and Kylara's encounter with a former friend-turned-enemy keeps the suspense high.
The actors who portray the various characters also bring their "A" game. Whereas in Part 1 Kylara had a
whiny, grating way of speaking (leading me to compare her voice to Millhouse of the Simpsons) the Kylara
of Part 2 has a more mature voice, one with more confidence, leading me to believe that my assessment of
the actor for my review of Part 1 was flawed. The supporting cast continues to be a help, adding enough
differentiation of voice to keep those listeners who tend to fall asleep at single-reader audiobooks awake, aware,
and better able to track the flow of the narrative. The narrator and the actor who plays Kylara mesh well. Both
women have enough voice differentiation that the listener knows when one or the other is speaking but with enough
similarity that the narrator herself sounds almost like a mature Kylara relating her experiences in the third person.
The narrative is scripted well, and the person who adapted the story to an audio drama carried over all the details
and characterization that makes Elizabeth Moon's original novel a pleasurable read, while at the same time paring
it down enough so that the story never drags or becomes tiresome, even when Kylara gives herself over to introspection.
The music and sound effects are also more discriminate in this second part. Whereas in Part 1 the music was
repetitious, Part 2 has a variety of scores, from the ethereal lullaby to the militaristic march. The sound
effects are more supportive in this second part, not distracting from the dialogue or overshadowing them, but more
subtle, gentler. The effect is of a more realized universe, and a story that has more cohesion in its disparate parts.
The Vatta's War: Trading in Danger audio drama is a great listen. Full of exciting adventure, a detailed
setting, and spearheaded by a remarkable female character, the tale of Kylara Vatta will appeal to military fiction
and science fiction aficionados alike.
John Ottinger III's reviews, interviews and articles have appeared in many publications including Publishers Weekly, Sacramento Book Review, and Tor.com. He is also the proprietor of the science fiction/fantasy review blog Grasping for the Wind. |
|||||||
|
|
If you find any errors, typos or anything else worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide