| X-Men: First Class (***) | ||||||
| directed by Matthew Vaughn | ||||||
| written by Ashley Miller and Zack Stentz and Jane Goldman & Matthew Vaughn with story credits to Sheldon Turner and Bryan Singer, based on the comic book created by Stan Lee and Jack Kirby | ||||||
|
Rick Norwood
In two comic books, both with a cover date of Sept 1963, Stan Lee and Jack Kirby created two new superhero
teams, The Avengers and The X-Men. The Avengers was Marvel's answer to DC's Justice League of America, a
team-up of their most famous solo characters. The X-Men was something else entirely, all new heroes attending
a school for mutants. Jack Kirby based the story loosely on Wilmar Shiras's book Children of the Atom,
one of my favorite science fiction books. (In the book, the mutants have enhanced intelligence, not
super powers.) And The X-Men was, at the time, one of my favorite comic books.
The film gives its own original version of the origin of the super-team, and the light-hearted interplay
between the super-teens and their only slightly older mentors is the heart and soul of the movie. It's a
strong story, grounded solidly in the 60s, but the humor and the characters, especially Professor X,
are what make it a delight.
In the comics, the original X-Men were Ice-man, The Beast, Angel, Marvel Girl, and Cyclops. X-Men: First Class
picks from that list only The Beast to be part of the original team. Other original X-Men in the movie
universe include Havok, from the Neal Adams era, who is Cyclops' nephew and has similar powers, Banshee,
created by Roy Thomas, and Mystique. created by Chris Claremont. The main villain is also borrowed from
the Chris Claremont era: Sebastian Shaw of The Hellfire Club. And, as in the very first X-Men
comic book, Magneto is a major player.
The writers do a good job of ignoring the comic book mythos and fitting the prequel into the film
mythos. There are probably contradictions between X-Men: First Class, Wolverine: Origins,
and the first X-Men trilogy, but I didn't spot them.
Hugh Jackman's cameo is my favorite scene.
No credit cookie.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. | ||||||
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