Purple and Black | ||||||||
K.J. Parker | ||||||||
Subterranean Press, 120 pages | ||||||||
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A review by David Hebblethwaite
Purple and Black, Parker's first novella, begins thus:
Phormio begs to inform His Majesty that he has safely arrived in Tremissis City and has assumed control
of the civil and military administration.
You are, of course, an unmitigated bastard...
The novella is written in epistolatory form, specifically as a series of military dispatches between an
emperor and his governor on the frontier. The title refers to the two colours of ink used in those
messages: purple for the official dispatches, and black for the personal communiqués enclosed with them (the
book itself will be printed in those two colours; I can't tell you how it looks, because my proof copy is
in monochrome -- but, if past experience with Subterranean books is a guide, I'm sure it will be gorgeous). It
also serves as a metaphor for how outward appearances can mask the truth, just as the formal tone of the
dispatches conceals the reality to be found in the longer messages.
The story goes that Nicephorus was a scholar, until he suddenly found himself made emperor when all the male
members of his family managed to do each other in. Needing to surround himself with people he could trust, Nico
sent his best friend Phormio north to be governor of Upper Tremissis, where he now has to deal with unknown
insurgents who appear to have inside information.
The epistolatory mode is an interesting choice, as it takes the focus away from the "action" as such, and
turns it more on Nico's and Phormio's travails. The banter between the two friends rings true, and makes them
more convincing as characters in a story that doesn't necessarily give its author much more opportunity to develop them.
Actually, I think Parker deals well in general with the limitations of her chosen structure. She manages to tell
a complete story that gives due acknowledgement of the impact its events have on the characters who live through
them (even if the distance of the telling means we don't necessarily experience that impact so much
ourselves). She weaves in the back-story skilfully, and raises some difficult ethical issues. Here, for
example, is Phormio ruminating on what it is to command his forces to go after the enemy:
David Hebblethwaite is not an architect, an artist, or even an archaeologist. However, he is a reader and reviewer of fantastic literature, whose work has appeared in numerous online and print publications. You can read more at his blog, Follow the Thread. |
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