| Point of Dreams | ||||||||
| Melissa Scott and Lisa A. Barnett | ||||||||
| Tor Books, 432 pages | ||||||||
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A review by Victoria Strauss
Every winter in Astreiant, a masque is held. Based on ancient
traditions and aligned with the stars, it's integral to the health
of the queen and the realm -- and more important now than ever, for
the queen is soon to announce her chosen successor. This year, the
play that is the source of the masque is itself sourced in an
ancient text, the Alphabet of Desire, a compendium of
flower- and plant-based spells, which most people believe to be a
hoax but which may, just possibly, be real.
When a body is found on the rehearsal stage, inexplicably drowned
in the absence of any water, Rathe is called in to investigate. He
has enough headaches, what with trying to control the craze for
flower corms produced by the coming masque, coping with the
disturbances of the ghost-tide (a time of year when astrological
conjunctions cause the ghosts of the dead to return), and
negotiating the complications of a relationship with a new lover;
he isn't thrilled at the idea of dealing with theatrical egos and
touchy nobles as well. But it soon becomes clear that this is not
just a simple revenge or jealousy killing. More deaths ensue, all
linked in some way to the masque and its actors. Rathe begins to
suspect that someone, somewhere, has a working version of the
Alphabet, and is using it to commit murder. But who? And
why? It's up to Rathe, with the help of his lover Philip Eslingen,
to find out.
Readers of police procedurals will recognize the form of Point
of Dreams, if not the details, which are necessarily changed by
the fantasy setting. Rathe attends an autopsy (or the alchemical
equivalent); he consults various experts, magical and not; he
copes with hostile colleagues and the over-eager press; he reports
to his chief (who is sympathetic) and to a board of supervisors
(who are not); and in the end, takes matters into his own hands,
for a solution that's only just inside the law. Scott and Barnett
blend the genres deftly, transposing their mystery plot seamlessly
into their magical world, effectively building suspense and
scattering both clues and red herrings with panache. The writing
is skillful, as is the characterization: Rathe and Eslingen are
sympathetic protagonists, and even minor players are very sharp.
And theatre buffs like me will love the theatrical details, which
carry the authority of real experience.
Best of all, though, is the world building. Scott and Barnett have
created a setting so densely detailed that it's at times hard to
remember you aren't reading about a real place. Astreiant is both
hauntingly familiar (reminiscent, to me at least, of 17th century
Holland in the grip of the tulip craze) and convincingly alien, a
place in which gender roles are comprehensively reversed, same-sex
relationships are as common as ordinary marriages, and everything
is touched by magic and shaped by the stars. The authors have
built a fascinatingly complex astrological/alchemical magic system;
they've also (much more difficult) made it convincing as a pseudo-scientific discipline, which works according to consistent,
objective rules and is thoroughly woven into the fabric of everyday
life, but always holds out the prospect of the wondrous, the
dangerous, and the unknown.
Those who haven't read the previous book may find it a bit
challenging at first to absorb the plethora of titles, terms, and
references, but there's enough background that new readers will
quickly find their feet. Both well-crafted mystery and engagingly
different fantasy, Point of Dreams is a thoroughly rewarding
reading experience.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel The Garden of the Stone is currently available from HarperCollins EOS. For details, visit her website. |
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