| Prom Night | ||||||||
| Nancy Springer | ||||||||
| DAW Books, 309 pages | ||||||||
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A review by A.L. Sirois
There being a distinct lack of prom-related material in the (musical) popular culture, the marketing
geniuses at DAW have come up with this anthology to fill the gap. I don't know how these astute decisions
get made. Wiser heads than mine obviously run these companies.
Be that as it may, we have here an anthology of stories whose themes all revolve around that
alleged benchmark of teenage experience, the prom. I suspect an anthology about tattoos is next, but no
matter.
It's a pretty thick anthology, which may seem surprising given the subject matter. How much
mileage can you get out of a theme like "prom night," after all? Twenty-two writers have offerings in Prom
Night. The table of contents includes luminaries such as Fred Saberhagen, Dave Smeds and Lawrence
Watt-Evans to lesser-known writers such as Tippi Blevins, Lisa Silverthorne and Jenn Reese. As you
might expect, it's a mixed bag.
Most of these tales fall into the fantasy genre, but there are one or two SF entries. Most notable
among these is the Saberhagen story, "The Senior Prom," which describes an alternate-world in which the
sexual revolution took root with a vengeance, and abstaining from sex is frowned upon as the ultimate
perversion. A neat little turnabout.
Most of the pieces in Prom Night are not as satisfying (or as scary) as the Saberhagen piece.
Many of them tend toward a sort of arch humour that melts away almost as soon as the story is done.
Among the better ones, "A Touch, A Kiss, A Rose" by Alan Rodgers really doesn't seem to be science fiction
or fantasy, but it's nicely written with distinct characters. "Peggy Sue Got Slobbered" not only has a terrible
title, it's no better than a shaggy dog story, rather like Tim Waggoner's "Meeting Dad," which is actually
more of a shaggy cock story.
"Omar's One True Love" by Gary Jonas is a halfway decent zombie story, marred by an unsatisfying
ending. Michael Hemmingston's "Solid Memories Have the Lifespan of Tulips and Sunflowers" drags in a
UFO for some reason that is never clear to me, but it's a pretty good story anyway.
Among the rest of the stories, the standout offerings are from Richard Parks, H. Turnip Smith
(that's gotta be a pen name, right?), Stephen Gresham, Tippi Blevins, Lisa Silverthorne and Jenn Reese. I
liked the Smith story best, about a fat kid taunted and humiliated by his classmates. There really isn't any
fantasy or science fiction content to this tale, but the characters stand out. Since high school is an
experience common to most of us, it's easy, even after a gap of years, to slip back there and look at some of
those old feelings. Were you the fat kid? Did you make fun of the fat kid?
A number of these stories are about losers or marginalized teens who get the upper hand. In the
wake of the Colorado shootings, the volume takes on something of a sad, ironic aura, though there is
nothing in it that would specifically bring Columbine to mind. Perhaps the point is that little societal rites
of passage like the prom have lost more than just their relevance. They have lost their innocence, too -- and
in a way that's a shame. No one really gives much of a damn about the prom anymore. This volume won't
change that. But it may help to cast a little light on certain aspects of the teen experience that we all might
do well to recall.
A.L. Sirois walks the walk, too. He's a longtime member of SFWA and currently serves the organization as webmaster for the SFWA BULLETIN. His personal site is at http://www.w3pg.com/jazzpolice. |
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