Tale of the Thunderbolt: Vampire Earth, Book 3 | ||||||||
E.E. Knight | ||||||||
Multi-cast production, adaptation | ||||||||
GraphicAudio, 11 hours | ||||||||
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A review by Ivy Reisner
He gets assigned to The Thunderbolt, the best battleship in the fleet, and stages a mutiny to take the ship. He
is then captured by pirates, called upon by the visions of a pre-law student turned psychic to fulfill a prophecy
and save Jamaica, captured by a man he thought was dead, leads a revolution to free Haiti, and walks into far too
many ambushes. The book flies from action scene to shocking revelation, with a few sweet, downtime scenes that
round out the experience. It's a hard one to put down.
This volume continues the theme of expect the unexpected. Seeming allies are not to be trusted. Help comes
from unexpected quarters including a Kurian and a tree. It also explores various elements of ethics. Naturally,
David struggles with the utilitarian ethics he's saddled with -- is it right to do evil to serve a greater
good? This one resurfaces repeatedly, as he is forced into situations where the expedient, necessary solution
might not be the morally upstanding one. And what about a situation where another character puts the needs of
the many above the needs of the one, when the one is of particular importance to David?
Meanwhile, Lieutenant Post must come to an understanding of forgiveness. He has ruined his family and himself and,
although he gains a superficial forgiveness from those only mildly wronged by his actions, he must decide if he
can forgive David for a particular "expedient, necessary solution." He must also see if he can forgive himself
and find forgiveness from the people he has wronged the most. Papa Legba's path is Post's told large, where he
goes from the true evil towards beneficence.
The audio, as always with GraphicAudio, is spectacular. It's closer to a radio drama than an audiobook, with
Ken Jackson doing the narration and a full cast of supporting actors playing the roles. The sound effects
liven up the calmer, character driven scenes, and are downplayed when the action picks up. This smoothes the
story further than text alone is capable of, making the audiobook experience here far superior to the simple text.
The first book in this series is Way of the Wolf, and you will want to listen to these performances
in order. There is little in the way of exposition to let a new listener know what's going on. The story just
doesn't slow down that long. As seems to be par for the course for this series, be sure to have the fourth
book, Valentine's Rising, on hand. You won't want to stop when you get to the end.
Ivy Reisner is a writer, an obsessive knitter, and a podcaster. Find her at IvyReisner.com. |
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