| Elantris: Part 1 | |||||
| Brandon Sanderson | |||||
| Multicast performance, adaptation | |||||
| GraphicAudio, 7 hours | |||||
| A review by Susan Dunman
For something is terribly wrong with the Dor, a mysterious force that randomly and instantaneously changes individuals
from mortals to immortals. Now that change, called the shaod, transforms people, not into gods, but into grey-skinned,
hairless creatures whose bodies cannot heal from wounds or illness. However, those same pain-racked bodies cannot
die and are banished to the crumbling city of Elantris, away from the "normal" population of Arelon.
The Crown Prince of Arelon awakens one morning to find his skin covered in the black splotches that are the first
signs of the shaod's transforming power. That same day his father orders the priests to perform a funeral service
and send Prince Raoden to Elantris -- a fate that befalls all who are considered "dead" after their transformation
because they cease to have a heart-beat and do not need food or water to survive.
This turn-of-events is not only disastrous for Prince Raoden, but also for his fiancée, Princess Sarene. She has
just arrived from a neighboring country to meet her soon-to-be husband for the first time. Serene is only told that
the prince is dead -- not that he has been condemned to Elantris. But the suspicious Serene decides to remain
in Arelon despite her betrothed's death, vowing to uncover the truth about Prince Raoden's untimely demise.
This sets the stage for listeners to experience a remarkable story -- made even more enticing by this audio
adaptation. With a full compliment of narrators (28 to be exact), sound effects and background music, listeners
can hear a three-dimensional production of Brandon Sanderson's work -- it's like wearing 3-D glasses
for your ears. To do justice to the book, this adaptation is produced in three parts, each approximately seven hours long.
I know some audiobook fans prefer single voice narration, but if you do enjoy audio drama, or have never
tried it, then you should listen to a GraphicAudio production. The sound effects can be powerful, but only
rarely do they invade the narrator's sound space. In addition, the background music really sets the tone
for the various scenes. And if you listen closely, you might find some surprises. For example, in one
ballroom scene, the music playing softly in the background is The Blue Danube Waltz, making me wonder
if Johann Strauss, Jr. had done some kind of universe/time shift maneuver to get his music played in Arelon.
Elantris was Sanderson's first published work, coming out in April of 2005. He explores themes of
love, politics, religion, and eternity in intriguing and imaginative ways. This audio production compliments
his work in a very satisfying way and I'm looking forward to hearing part two!
Susan became a librarian many light years ago and has been reviewing books ever since. Audiobooks and graphic novels have expanded her quest to find the best science fiction in Libraryland. |
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