| Pirates of the Caribbean: The Curse of the Black Pearl (***) | ||
| Directed by Gore Verbinski | ||
| Written by Ted Elliot & Terry Rossio, Stuart Beattie and Jay Wolpert | ||
|
Rick Norwood
It is lots of fun, some very good Monty Python-type humor, and then a little more Monty Python-type humor, and then just a wee bit too
much Monty Python-type humor, but still a highly enjoyable experience.
There are a few quibbles with Pirates of the Caribbean: The Curse of the Black Pearl,
such as the difficulty of getting just little enough air in an inverted boat for it to sink,
but the intelligence of the writers, who wrote the even-better The Mask of Zorro, shines through. I like their respect for the stubborn
refusal of inanimate objects to take sides. And there are some clever changes rung on the curse and its effects.
Johnny Depp is a fine figure of a pirate, and the boy and girl leads are not too sappy.
Pirate movies have a bad reputation -- the last really successful pirate movie was Walt Disney's Treasure Island (1950), which
I watched recently on DVD. It holds up well, but not as well as the book, which is as much fun as Have Spacesuit, Will Travel
or The Hobbit. Treasure Island is a great book for kids to give their parents to read after they finish Harry Potter.
Of the many unsuccessful pirate movies, I've liked more than a few. Roman Polanski's Pirates is at least as good
his The Fearless Vampire Killers, though the latter has a much larger reputation. "You want to eat the frog?" The Kevin Kline,
Linda Ronstadt Pirates of Penzance has some fine and funny singing. "With cat-like tread..." Steven Spielberg's Hook
brought tears to my eyes for all the right reasons, as long as it was set in London -- admittedly once it got to the island it was pretty
much of a mess, but the same could be said of Sir James Barrie's play. The main reason Peter Pan is better than Hook is
that Cyril Ritchard makes a much better pirate than Dustin Hoffman. "No, by carbonate-of-soda, no... !"
I even enjoyed Cutthroat Island.
The best modern novels of the sea are by Patrick O'Brian, a couple of which are the basis for a Russell Crowe vehicle later this
year. And one of the best things about these novels is the authentic detail, especially as concerns ships and sailing. I don't think
the detail in Pirates of the Caribbean is quite so authentic. It may be -- I don't know much about sailing myself. But when
the sailors in the film shout "Hoist the mains'l tops'l and shiver the port jib, me hearties!" I'm not absolutely convinced that they
know what they are talking about.
The fantasy element in the film is minor, but well thought out, essential to the plot and to its resolution.
All in all, for a movie based on an amusement park ride, Pirates of the Caribbean is much better than we have any reason to
hope. For that matter, the ride's not so bad, either.
Be sure to stick around for the credit cookie.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. |
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