| The Dark Knight Rises (**) | ||||||
| directed by Christopher Nolan | ||||||
| written by Jonathan Nolan and Christopher Nolan. David S. Goyer worked on the story. Based on a comic book character created by Bob Kane (credited) and many other uncredited artists and writers. | ||||||
|
Rick Norwood
The Dark Knight Rises is a long, silly, disappointing costume hero film. I'll mention just a few of its
more memorable flaws.
Batman and Bane fight by punching each other in the face. We saw infinitely more exciting movie fights in
the previews. I thought Batman was supposed to know some martial arts. The Karate Kid could beat both these
guys with one hand tied behind his back. All they've got is brute muscle power, and it is hard to believe
Batman, as played by Christian Bale, has all that much muscle power.
Alfred, Bruce Wayne's butler, played by the excellent actor Michael Caine, comes across like a nagging wife.
Would you really stop for a kiss, and then deliver a lecture, when a ticking atomic time bomb is only minutes
away from exploding?
Nothing any of the characters does makes any logical or, worse, any emotional sense.
I didn't like Christopher Nolan's first Batman film, for the same reasons I didn't like this one. It didn't
even try to make sense. But the second film was good, and I loved Inception, so I went into this movie expecting
something special. I was bored.
If you've got a stopwatch, time how long it takes for the A-bomb to count down from 11 minutes to 10
minutes. Compressed or expanded countdowns are a movie staple, but there are limits. This was
ridiculous. Also, there is no way Batman got the bomb six miles away from the city in the time he had left,
and the bomb in the air would do a lot more damage than it would inside a truck.
Several reviewers have quoted Nolan as saying he was inspired by Charles Dickens. The ones I've read
don't get any more specific than that. The film, inspired by Charles Dickens' A Tale of Two Cities,
plays out some scenes from the novel, and quotes from the novel. But the Gotham City dweller is not the same
as the Paris bourgeoisie at the time of the French Revolution, and the parallels drawn between the corruption
of the court of Louis XVI and the corruption of modern society don't make a lot of sense. But, then,
nothing in this movie does.
No credit cookie.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. Visit his web site at comicsrevue.com. | ||||||
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