| The Heavenward Path | ||||||||||||
| Kara Dalkey | ||||||||||||
| Harcourt Brace Children's Books, 222 pages | ||||||||||||
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A review by Victoria Strauss
Great Lady Mitsuko, a daughter of the noble and powerful Fujiwara
clan, has entered a monastery to study the Heavenward Path of
Buddhism. But one night an uneasy wind begins to blow outside her
room, and she hears a ghostly voice whispering her name. It turns
out that she is being haunted by the spirit of a woodland shrine
where, in an earlier adventure, she took refuge from pursuers. In
exchange for concealment, she promised the spirit that she would
make sure its shrine was repaired. But she has forgotten her oath,
and now the spirit, tired of waiting, has come to remind her.
The spirit turns out to be no ordinary shade, but the ghost of an
ancient priest-king. Angry at Mitsuko's forgetfulness, he tells
her she must now fulfill three demands: rebuild his shrine as the
greatest the world has ever seen, restore the original contents of
his looted tomb, and seek out the descendants of those he once
ruled, so that they may worship him again. When she protests these
impossible tasks, the ghost threatens to invoke Lord Emma-O, Judge
of the Dead, whose wrath Mitsuko once incurred by trespassing in
his Court, and tell him to send his demons to drag her down to
hell.
Desperate, Mitsuko turns for help to her friend, Prince Goranu, of
the mischievous shape-shifting Tengu people. Goranu tells her that
she must not obey the ghost, but outwit it. To do that, she must
learn how to think for herself -- and that means studying the Way of
the Tengu, for whom everything is changeable and nothing is taken
seriously. With the help of her practical maid Suzume, Mitsuko (a
very literal-minded and serious girl) embarks upon these difficult
lessons, and then upon a journey that returns her, dangerously, to
the Court of the Dead.
Although The Heavenward Path is second in a series (the
first was Little Sister), it's easily read as a stand-alone
novel. The narrative, filled with details of Japanese culture and
daily life (there's also an informative historical note at the end
of the book, and a glossary of Japanese and Buddhist terms),
effortlessly invokes the atmosphere of 11th century Japan, while
the vivid fantasy elements, which include Buddhist and Shinto
spirits, a great winged dragon, and the rambunctious Tengu, blend
seamlessly with the real-life setting. Mitsuko is a plucky and
likable character, and her gradual transition from the rigid,
shuttered perspective of a noble lady to the more tolerant outlook
of the Tengu is nicely rendered. Dalkey's writing is lovely, with
evocative descriptions of real and supernatural settings, and a
delicate haiku to begin each chapter. There is also much
sly humour, and clever dialogue that manages to combine fairy-tale
formality and present-day colloquialism without ever seeming
awkward.
The Heavenward Path is permeated with Buddhist lore, from
its title to its twelve chapter headings, each of which corresponds
to one of the twelve links of the Buddhist Chain of Causality that
binds human souls to the wheel of rebirth. This is more than just
historical window-dressing: over the course of the story Mitsuko
must confront some serious philosophical and spiritual questions,
and her solution of these is integral to the plot. It's refreshing
to see such issues dealt with in a way that's neither sentimental
nor moralistic. Young readers (and older ones too) will find food
for thought in The Heavenward Path, as well as a beautifully
realized fantasy and a thoroughly delightful read.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. For an excerpt of her Avon EOS novel, The Arm of the Stone, visit her website. |
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