| Inception (****) | ||||||
| directed by Christopher Nolan | ||||||
| written by Christopher Nolan | ||||||
|
Rick Norwood
Critical reaction has been mixed. Some critics didn't understand it, others didn't like having to think
so hard, others sincerely believe that the only purpose of art is to reveal human character, and that
cleverness detracts from the purity of film. And some critics liked it. I'm more of a reviewer than a
critic, but I liked it.
Inception is not the kind of nonsense I feared it would be when I first heard about it. I was
afraid it would be another movie where you're dreaming and then you wake up but you're really still dreaming
and only dreamed you woke up, but then you really wake up, but no, really you're still dreaming, ad
infinitem. There is a little bit of that in the movie, but most of the story challenges the audience
to follow a very complex plot, rather than trying to trick the audience into falling for special-effects
razzle-dazzle. There are dreams within dreams, but most of the time the audience knows when that is happening.
So, does Inception make sense? I'm not sure. It makes more sense than most action films. It is
not stupid. But it is complicated, and I'll have to see it a couple more times before I decide if it plays fair.
On the other hand, any screenwriter who knows enough physics to understand that inside an elevator you
can't tell gravity from acceleration has my respect.
This is not Leonardo DiCaprio's best work but there are excellent actors in smaller parts, especially
Michael Caine and Cillian Murphy.
And Inception is popular, proving wrong the conventional wisdom that nobody wants to see films that
make you think. It is already #3 on the IMDB all time greats -- a little too soon, but a good sign for the
future of smart science fiction films.
Imagine Isaac Asimov's Foundation Trilogy directed by Christopher Nolan.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. | ||||||
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