Milky Way Marmalade | ||||||||
Mike DiCerto | ||||||||
Zumaya Publications, 311 pages | ||||||||
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A review by Georges T. Dodds
Caffrey Quark, retired interplanetary hunter and purveyor of exotic meats is just innocently travelling through space when he comes across a
drifting jukebox. Upon hearing the late 60s-early 70s rock music borne upon the strange black discs, he undergoes a spiritual epiphany
and books a trip through time to mid-60s New York City, to live the music as a member of the progressive rock
group Milky Way Marmalade. But an android with a few screws loose, reminiscent of Gallagher Plus' creation "Joe", the
android's un-deceased creator, a dog-like counter-tyranny operative, and a hovering ship's-computer entity, not to mention
Nefarious Wretch, a music-hating fascist-megalomaniac, have other plans. Quark is inexorably drawn into the effort to
counteract Wretch's plans to wipe music from the face of the universe.
Milky Way Marmalade maintains a good pace, has plenty of action and narrow escapes, a coherent if wacky plot, and the seldom subtle humour
isn't so pervasive as to detract from moving the story along. The fact that the bad guy wasn't destroyed by violence -- bombs and laser-cannons
were futile -- but by understanding and addressing the psychological trauma that led to his hatred of music and wish to rid the universe of it,
was also a pleasant surprise. Conflict needn't always be solved through violence, a message which many today could benefit from seriously
considering.
On the other hand, while chapter headings are drawn from acid/progressive rock lyrics, factual information regarding rock groups/artists is
presented and the author's obvious reverence of Led Zeppelin shines through, there doesn't seem to be a great deal of in-jokes (beyond the
blatantly obvious) or era atmosphere surrounding the music which inspires the main character and which ultimately saves the universe. While
having truly in-jokes risks leaving some people off the boat, as my reference to Gallagher Plus (above) may have done for some, one assumes
that a portion of Mike DiCerto's intended audience lived through this musical era, and might have appreciated such references.
Certainly Milky Way Marmalade is entertaining and has no pretence of presenting anything terribly deep or controversial. Mike DiCerto's
experience in producing screenplays allows him to maintain a strong and coherent undercarriage to the novel while allowing his imagination to
drift into a chaotic, mystical and most of all humorous universe. Not quite as tangy as Seville, Milky Way Marmalade remains a cut above
restaurant toast-packets.
Georges Dodds is a research scientist in vegetable crop physiology, who for close to 25 years has read and collected close to 2000 titles of predominantly pre-1950 science-fiction and fantasy, both in English and French. He writes columns on early imaginative literature for WARP, the newsletter/fanzine of the Montreal Science Fiction and Fantasy Association and maintains a site reflecting his tastes in imaginative literature. |
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