Roger Corman: Metaphysics on a Shoestring | |||||||||
Alain Silver and James Ursini | |||||||||
Silman-James Press, 323 pages | |||||||||
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A review by David Maddox
Alain Silver and James Ursini have put together an astounding collection of history and interview in Roger Corman:
Metaphysics on a Shoestring. The book is much more than just a listing of Corman's many works, in chronicles his development
and rich additions to the cinematic world.
Having produced more than 100 movies and directed over 50 of them, each entry contains basic info on the picture, stars and
crew. There's detailed running time, budget and distribution house listings as well. But the chronicle stands apart from regular
histories with a detailed analysis of each film, finishing with commentary by Corman himself.
Now Corman's work, in some respects, is considered campy and many of his productions are seen as outright bad. Certainly
1959's A Bucket of Blood wasn't up for any Academy Awards and 1957's The Saga of the Viking Women and Their
Voyage to the Waters of the Great Sea Serpent may have been an excuse to feature a bunch of scantily clad actresses
parading around. Such is this reputation that many of his films have been lampooned over the years on Mystery
Science Theatre 3000, such as 1958's Teenage Caveman. But the truth is, Corman's films always manage to
make money and have established him as a film auteur and prolific artist.
The stories the book tells are both fun and eye opening. For instance, while Corman was filming 1963's The Raven
during the day, young protégé Francis Ford Coppola was allowed to use the sets at night for his first major
directorial debut, Dementia 13. Corman used many actors before they truly 'hit' on the big screen like Peter Fonda and
Jack Nicholson. He also worked with horror film greats like Vincent Price and Peter Lorre.
The collection is really a celebration of cinema. The highs and the lows of forging ahead with a vision, whether it's
economically profitable or just a good story that has to be told with minimal budget are all presented.
Roger Corman: Metaphysics on a Shoestring is much more than just a collection of films. It's an in-depth look at an
entire resume of work that spans every genre imaginable. Any filmmaker, either aspiring or established would be well rewarded
by picking up a copy and following Corman on his incredible journey.
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