| Songs of the Dying Earth: Stories in Honor of Jack Vance | |||||||
| edited by George R.R. Martin and Gardner Dozois | |||||||
| Subterranean Press, 632 pages | |||||||
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A review by Rich Horton
Vance is a writer whose influence on the field has been quite noticeable. The Dying Earth itself is an
obvious inspiration for such a major work as Gene Wolfe's Book of the New Sun. One might add
less significant but still worthwhile work also set in what is either explicitly the Dying Earth (Michael Shea's
authorized sequel A Quest for Simbilis) or what seems closely derived from same (Damien
Broderick's Sorceror's World). Countless other writers have used similar milieus, some quite openly,
as with Matthew Hughes, who explicitly sets his fantasy novels in the age just prior to that of The Dying
Earth. (Hughes also has developed a prose style that is clearly Vance-derived -- and, though he does not equal
Vance's skill, his work is quite enjoyable.) Indeed, besides Hughes, others of the contributors to this book
are Vance's heirs to some degree or another:
Robert Silverberg's Majipoor novels are set on a large planet that obviously harkens back to
Vance's Big Planet, while Kage Baker's fantasy novels (beginning with The Anvil of the World) have
a distinctly Vancean flavor as well.
Songs of the Dying Earth is, first story to last, very enjoyable.
However it is never quite brilliant, and I believe that is precisely because the writers are all working in
another writer's world. (Not that that is a bar to brilliance -- Orson Scott Card's "The Originist," to name
just one example, is a magnificent story set in Isaac Asimov's Foundation future.) Still, this
is 600 plus pages of entertaining work... well worth the money.
There's no point going over all the stories... I'll mention some highlights. Several of the writers seem to
be trying to mimic Vance's style to a degree, with varying degrees of success. Perhaps the most interesting
of the stories in this vein is one that seems more a blend of the writer's style with Vance's -- Lucius
Shepard's "Sylgarmo's Proclamation," perhaps my favorite piece here. I tend to find Shepard's prose a bit
overwrought. By contrast, one of the sometimes unappreciated aspects of Vance's writing is that despite
its reputation for ornateness, his sentences are clear and crisp, even as the words may be unfamiliar
and the tone ironic. To my mind, Shepard, while still writing in his own voice, modulated his style in a
Vancean direction in "Sylgarmo's Proclamation," to very good effect. The story itself is fine -- as the
Sun appears ready to finally "quit the sky" a certain Thiago is approached by certain individuals desiring
revenge on Cugel the Clever, and he is induced to guide them to a remote tower to confront the him.
I also greatly enjoyed the longest of these stories, Dan Simmons's "The Guiding Nose of Ulfänt Banderõz." Shrue
the Diabolist and a group of travelers (including Derwe Coreme, who appears as well in Shepard's
story) try to reunite the title magician's library, which seems to be in two universes -- and in so doing
forestall the final expiration of the Sun. A couple of the shorter stories have a different tone -- reflecting
their authors more than Vance, while still properly hommages to the master: thus, Howard
Waldrop's "Frogskin Cap," which shows us how Tybalt became the last Curator of the Museum of Man,
and Neil Gaiman's "A Question of Incuriosity," which intriguingly links our own time with that of the Dying Earth.
Other highlights: Elizabeth Moon's "An Incident in Uskvesk," an entertaining story, sort of a caper piece,
about a dwarf and roach racing, of all things. Kage Baker's "The Green Bird" is another Cugel story, and
very true to the spirit of the originals, as Cugel is shown again to be quite clever, but not as clever
as he thinks he is. And finally I'll mention Elizabeth Hand's "The Return of the Fire Witch," in which
the title character impugns a fellow witch to help her get even with the royal family that had exiled her.
It's a big book, and there are many further stories. We meet many of Jack Vance's familiar characters,
and many new ones; we revisit many familiar locales, and some new ones, and we encounter again some of
Vance's amusing fauna, such as Deodands and Twk people. The stories, as I have said, entertain almost
to a one. It might be that leisurely reading is best, as there is some repetition of theme, style,
and setting -- but it will be entertaining reading.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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