| Inherit The Earth | |||||
| edited by Stewart Wieck | |||||
| White Wolf Publishing, 288 pages | |||||
| A review by Lisa DuMond
For me, it was the name Stefan Petrucha on the table of contents that was the primary attraction to
this collection. Petrucha's "The Treatment of Dr. Eberhardt" more than lives up to expectations,
but it is only the first in an impressive parade of loosely linked short stories. A tale of creepy
obsession and ruthless protection, it is the perfect introductory piece, setting the dark, harrowing
tone for the rest of the volume. Childhood, like innocence, is a luxury no one can afford in the world of Hunter.
Inside the covers of Inherit The Earth, the world is divided into three
groups: the Undead, the imbued Hunters, and everything else is... prey.
"Credo" by Eric Griffin puts more of a techno-spin on the subject, allowing readers to infer the action
only through the narrow windows of emails, in an exchange where good and bad are far from obvious distinctions.
James Stewart's short, brutal "The Names of The Dead" examines what one mass murderer referred to as
"collateral damage" and its place in the new world order.
Two stories reflect on the past's undying influence on the present and the unthinkable
future. "Closure," Andrew Bates' contribution, takes a look at some very human emotions that survive the
boundaries of death and undeath. And trust David Niall Wilson to breathe life into a grim tale of a twisted
love through the dusty pages of history and to propose a new union in its place.
The lethal nature of this final war is brought home in the grisly "Antibodies" by Michael Lee, Richard
Lee Byer's locked-room "Unusual Suspects," and Dominic Von Riedemann's "Lucimal's Heart." The last is
not suggested for the weak of stomach, by the way. But, it is the aptly titled "The Frailty of Humans"
that exposes the raw nerves of the battle and the true toll of suffering. Gherbod Fleming's moving story
is a quiet, sorrowful silence in the fury of the storm.
Often, it is difficult to detect the hand of the editor in the finished product, but it is
unlikely Inherit The Earth would have the come out to be the seamless showpiece it is without strong direction.
Each of the stories adds to the whole, but still stands on its own. For selecting, shaping, and
guiding these stories, Wieck, well done. Very well done.
In between reviews, articles, and interviews, Lisa DuMond writes science fiction and humour. DARKERS, her latest novel, was published in August 2000 by Hard Shell Word Factory. She has also written for BOOKPAGE and PUBLISHERS WEEKLY. Her articles and short stories are all over the map. You can check out Lisa and her work at her website hikeeba!. |
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