Moon Shots | |||||
edited by Peter Crowther | |||||
DAW Books, 312 pages | |||||
A review by A.L. Sirois
So here we are, 30 years after Neil Armstrong set foot on our satellite. I think it's a damn
shame we haven't got a base or a commercial presence on the Moon, but that's another story. DAW has
released this anthology of Moon stories to commemorate the occasion. As with most anthologies, it's a
mixed bag.
I couldn't really follow the point of the book's opening story, a piece by Brian Aldiss
titled "An Apollo Asteroid." I'm very fond of Aldiss's work but this story had nothing to offer me, I'm sorry
to say. Gene Wolfe weighs in with a splendidly-characterized story titled "Has Anyone Seen Junie Moon?" It
has some interesting scientific speculations about the nature of anti-matter to go with the nifty
characterizations, but in the end it, like the Aldiss story, doesn't resolve as much as it stops at a convenient
point.
Things started to pick up with Brian Stableford's introspective "Ashes and Tombstones," about an
old-time astronaut's reaction to a New Age space program.
"The Way to Norwich" by Colin Greenland isn't really SF per se; it details the relationship between a
little boy who lives across the street from a pub called The Man in the Moon and the teacher he grows up to
be. It hinges on the rather unlikely device that a lost Tarot card - XVIII, THE MOON, of course -- both was
not noticed as missing by its owner after she gave the protagonist a reading and has managed to remain
undiscovered in the same room for 30 years. Otherwise a nice little story.
"Steps Along the Way" by Eric Brown involves the revival of a long-dead adventurer by a declining
future civilization. It's a little far-fetched, but it has a nice mythic quality missing from most of the other
tales.
In many ways "The Moon Tree" by Jerry Oltion is the best story in the book. It's not just escapist
science fiction; it's a clever and contemporary look at why we seem to have lost our taste for manned
exploratory space travel and what we might be able to do about it. It's the sort of story that makes you
wish it could be true.
"The Last Man on the Moon" by Scott Edelman is about a VR simulation of the first lunar landing
that takes on a strange life of its own due to the machinations of an elderly astronaut. It has an adroit last
line that will bring a wry grin to the face of more than one reader.
James Lovegrove's "Carry the Moon in My Pocket" tells the story of how a space-crazy young boy
allows himself to be bamboozled over an alleged moon rock by an unscrupulous classmate. But there is a
very satisfying twist to this story. I liked it very much.
"Moon Hunters" by Kathleen M. Massie-Ferch is about asteroid prospectors. It starts well enough,
and is, unlike most of the stories in this compilation, a hard science piece. But it sputters out at the end,
and seems as if it wants to be much longer in order to more fully explore the characters.
Alan Dean Foster weighs in with a tale of theft and delicious irony, titled "The Little Bits That
Count." It's short and sweet, and although it may telegraph its punch just a few moments too soon, it's
surpassingly clever.
One of the best and certainly the most haunting tale in this book is Stephen Baxter's sweet and sad
"People Came From Earth," about a future war-torn Moon that is terraformed but nevertheless dying slowly.
This tale should end up on the Nebula short list this year. It's outstanding.
"Visions of the Green Moon" is from Robert Sheckley, and lacks some of the author's trademark
satirical edge but is still good. Here Sheckley takes a step off into Bradburyesque territory with a story of a
man literally pursuing a dream.
"How We Lost the Moon, A True Story" by Frank W. Allen was really written by Paul J. McAuley.
In the form of a page on Allen's website, it's a pleasing and humorous hard-science tale about how the
Moon was accidentally destroyed by a nuclear accident. It has a whiff of Douglas Adams about it.
Entertaining and funny.
I always look forward to reading material from Paul Di Filippo. He reminds me a bit of Richard
Lupoff, because his work swoops and veers off in directions you never expected. Here he crafts a
Gilliamesque story of how a dumb ex-jock seduces a girl who turns out to be the Moon goddess, with
surprising results. I don't know if anyone other than Di Filippo could pull off a story like "The Man Who
Stole the Moon," with its backhand at Heinlein and Lewis Carroll. Nice work.
This Python-like tale is immediately followed by the grimmest story in the book, "Elegy" by
Michelle West. I can't say that reading this description of a hopelessly polluted and overcrowded near
future was pleasant, but it was certainly a vivid experience. West sucked me right in before I knew what
she was doing. I don't want to say much about the story, other than to say that her use of VR as an
inducement to suicide is very disturbing. I hope that the future is not like this, but West makes it seem all
too possible. Shudder-inducing.
As if to make up for this, the book ends with a tour-de-force from Ian McDonald, another guy
from whom only the unexpected can be expected. In "Breakfast on the Moon, With Georges" he has taken
special-effects pioneer Georges Melies and given us an alternate world in which Melies is an actual space
explorer aboard a space-faring rocket train. It's a remarkable and delightful bit of work, the more
impressive because of the research McDonald must have conducted.
So there we have it. Moon Shots is an anthology well worth your time and money, in which
almost every story is memorable. Science fiction has changed a lot in the 30 years since we landed on
the moon. On the anniversary of the landing, I stood watering my front yard, looking up at the half
moon swimming in the warm summer night above me. Earlier in the evening I took my little daughter to
see Muppets From Space, an appropriate film for the day. I told her about the anniversary, that 30 years
ago that night we had set foot on Luna for the first time. She wanted to know if there were any people
up there now. I had to say no. "But," I went on, "Maybe you'll go when you're older. By then maybe there
will be cities up there."
We can but hope.
A.L. Sirois walks the walk, too. He's a longtime member of SFWA and currently serves the organization as webmaster for the SFWA BULLETIN. His personal site is at http://www.w3pg.com/jazzpolice. |
![]() ![]() ![]() ![]() ![]() |
If you find any errors, typos or other stuff worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2014 SF Site All Rights Reserved Worldwide