No Sharks in the Med | |||||||
Brian Lumley | |||||||
Subterranean Press, 320 pages | |||||||
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A review by Mario Guslandi
Subterranean Press, which has been reprinting a substantial portion of Lumley's short fiction, offers now
a collection of his twelve "best," or at least, more widely known, macabre tales.
British Fantasy Award-winning "Fruiting Bodies" is a great, frightening story where a village by the sea
is gradually invaded and destroyed by a deadly, mysterious fungus while the nightmarish "The Whisperer"
revolves around a disquieting, evil dwarf able to ruin a man's quiet life.
In the suspenseful, quite disturbing title story "No Sharks in the Med," a newlywed couple has to face unknown
intruders on a Greek island and in the tense "The Viaduct" two boys seeking adventure by climbing a
dangerous viaduct get involved in an unexpectedly terrifying experience.
"The Man Who Killed Kew Gardens" is a tale of botanical horror with the size of a cosmic tragedy and a
touch of Lovecraftian terror, while "The Pit-Yakker" depicts a young man's shattered dreams in a context of
ignorance and mockery.
Lumley's eclectic character is shown by a couple of stories imbued with dark humour: "The Disappearance
of Jeremy Cleave," where a man's overwhelming jealousy haunts his widow from beyond the grave
and "The Luststone," a dark tale endowed with a nice twist in the tail.
This collection not only constitutes a well deserved tribute to one of the grand masters of dark fantasy
but also provides the opportunity to taste once again the narrative style of the golden era of horror
fiction, where overt sex and grand-guignolesque tableaux were not necessary elements to create effective,
unsettling atmospheres of dread and terror.
Mario Guslandi lives in Milan, Italy, and is a long-time fan of dark fiction. His book reviews have appeared on a number of genre websites such as The Alien Online, Infinity Plus, Necropsy, The Agony Column and Horrorwold. |
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