| Night Train to Rigel | ||||||||
| Timothy Zahn | ||||||||
| Tor, 253 pages | ||||||||
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A review by Rich Horton
At first blush this setup seems transparently an excuse to use a silly title like Night Train to Rigel. But
so be it -- there have been worse backgrounds for good SF stories! The hero is Frank Compton, a former agent for
Earth's intelligence service who was cashiered for his public criticism of the expensive plans to colonize the last
planetary system required to make Earth an "Empire" in the Spiders' eyes. As the story opens he is accosted by a
murdered man, and offered a ticket to Yandro, Earth's controversial colony in the Rigel system. He accepts seemingly
on impulse -- though we learn that he has accepted another job, its nature not revealed until much later.
Once onboard the train, Frank is quickly apprised of the nature of the commission implied by his acceptance of the
ticket. It seems the Spiders are concerned about a potential future war among the Twelve
Empires: a war that they had hoped to prevent by their strict policy against taking weapons on the trains. Frank
acquires a mysterious human companion, a young woman named Bayta who can telepathically communicate with the Spiders.
Frank and Bayta begin a journey along the interstellar railways, looking for the unidentified warmongers the Spiders want to find.
Frank quickly realizes they are the objects of interest of a variety of entities, including an alien Frank had known
on his previous job, and also his former boss, a man whom he has cause to hate. They survive attempts on their life,
and attempts to frame them for murder, and they seem to be herded towards the Sistarrko system, which includes a resort
on one of a pair of gas giant moons, a moon which is home to the extremely popular Modhri coral. And there, of course,
(this being the kind of novel it is) they learn secrets affecting the future of the Galaxy... and they are in the
position to affect said future.
I must say that for the first half of the book or so I was annoyed.
Zahn seemed to be driving his plot by a series of absurd coincidences and unlikely actions. But to be fair, he is aware of
all this, and by the end of the book things are explained in a satisfying manner. The central idea of the book, and the
eventually revealed good guys and
(especially) Bad Guy, aren't terribly new ideas, but they are fairly well handled in this context. The book is pretty
enjoyable, though the opening sections do drag a bit. As I suggested, Zahn redeems some of the weaknesses of the
beginning by the end, and I ended up a pleased, but not really thrilled, customer.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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