Powers | ||||||||
Ursula K. Le Guin | ||||||||
Harcourt, 512 pages | ||||||||
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A review by Rich Horton
Powers is probably my favorite so far in this series. Gavir is a boy who was kidnapped from his home in the Marshes
as a tiny baby, and taken to the City State called Etra to be a slave in the House Arcamand. The Father of the House of Arca
is a relatively benign slaveowner, and Gavir, along with his sister Sallo, grows up fairly comfortably. Gavir does have a
magical talent, apparently unique to people of the Marshes -- he occasionally "remembers" future events.
But his sister urges him to conceal these visions.
Slaves in this House are educated, and Gavir in particular is a promising scholar, and he is trained to become a teacher. But
his abilities also earn him the resentment of the mentally ill younger son of the House, Torm, as well as Torm's toady, the
slave Hoby. Meanwhile his beautiful sister Sallo is destined to be a gift-girl -- a slave whose only duty is to provide
sex for the masters -- but happily for her she and the heir of the House, Yaven, fall in love, and she will be given to
him as a mistress.
Things seem well enough -- Gavir tends to believe, with most of his fellow slaves, that such a social order is the
natural way of things.
Only slowly does he begin to perceive injustice -- in part because of Torm's unchecked violence, which extends eventually
to murder (only lightly punished); and in part because he dimly realizes that in many ways women in this society --
even "free" women -- are enslaved in different ways than men. His life begins to change even more when Etra is
besieged -- it seems that the various City States are constantly at war. Then a further tragedy strikes, and Gavir,
almost by accident, escapes. From there his path takes him to a couple of colonies of escaped slaves -- who sadly
replicate many of the ills of the societies they escaped -- and then eventually to his original home in the
Marshes. He must try to understand the nature of his own talent -- but his past as a slave
also continues to haunt him.
I loved this book throughout. Gavir is well-depicted and a good person. His life is plausibly portrayed, full of
tragedy but also some contentment. Naturally his fascination with scholarship and reading endears him to typical
readers. Le Guin nicely uses his visions as foreshadowings of future events in the book, without ever letting
them take over the story. She portrays two (or three, if we count the escaped slaves) societies in interesting
detail: this has always been a strength of hers (daughter, as she is, of a famous anthropologist).
And the book avoids unrealistic clichés: for instance, even the "good"
slaveowners are not shown (as we might naïvely hope) coming miraculously to their senses and renouncing their
evil ways. There are no easy answers, but there is hope.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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