| A Stroke of Midnight | |||||||||
| Laurel K. Hamilton | |||||||||
| Ballantine Books, 369 pages | |||||||||
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A review by Nathan Brazil
The idea of a part-human part-Fey princess, heir to the throne of Faerie, and her band of Sidhe warrior/lovers is packed with
possibilities. The series also features some excellent characters, which are developed with skill and occasionally surprising
sensitivity. The immortal pair, Killing Frost, who in my mind's eye looks like a young Richard Chamberlain with silver hair,
and Doyle, formerly the Queen's Darkness, who I picture as Isaac Hayes in his Black Moses period, are tremendous assets to
the story. Hamilton also manages to cram in a few new characters, such as Mistral, the hard loving, enormously endowed,
storm lord, and the subtly dangerous Aisling, a Sidhe who is so handsome he has to wear a veil. Aisling's magic forces
anyone who sees him bare faced to fall hopelessly in love. Andais, the Queen of Air and Darkness is back again, and more
insane than ever. Some of the scenes where she appears are so well done and so tense that pausing before the end of the
chapter is all but impossible. Then there are the revelations, casually thrown in as back story. These include a war waged
in the past between humans and the Fey, a set of conditions imposed upon the Seelie and Unseelie courts before they were
allowed to come to America, and the reason why both courts have been fading for centuries. It was such elements that kept me reading.
Unfortunately, instead of weaving the various intriguing strands together with the skill she possesses, Hamilton resorts
to graphic sex as a focal for point. Not once, but for the vast majority of events. Almost every time there is some kind
of progress, it is directly as a result of Meredith's insatiable carnal activities. These over long descriptive passages
are interspersed with embarrassingly bad, Mills & Boon romantic filler. Quite why Hamilton torpedoes her characters
credibility with this tripe, was a mystery to me. I found it hard to believe that immortal Sidhe warriors, forced into
celibacy by the mad Queen for centuries, were so easy to manipulate with the promise of sex. Even though, in this case,
there was the added incentive that whoever makes Meredith pregnant will become King. For me, it was a stage set for
inhuman politicking, tightly controlled passion, and a level of deviousness at which beings who've lived for thousands
of years would surely be expert. Instead, all we get is a soft pornfest, where Meredith drops her knickers at every
opportunity and all the blokes are whipped. Unlike other things in the plot, it doesn't stand up!
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