| Stealing Magic | ||||||||
| Tanya Huff | ||||||||
| EDGE, 250 pages | ||||||||
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A review by David Hebblethwaite
To take the "magic" half of the collection first, three main qualities define Magdalene: great power (she's the most powerful
wizard in the world, no less), laziness (she even has a stairway to the Netherhells in her house, because you never know when
those demons will decide to act up, and she doesn't want to have to travel far to deal with them) and randiness (she is
forever flirting -- sometimes more -- with the men who come her way). The last of these becomes particularly wearying (for
the reader, if not for Magdalene!), which is a shame, because many of the flirt jokes genuinely raise a smile; it's just that
there are so many of them that the idea starts to wear thin after a time. Perhaps it would seem less so if one were reading
one of these stories on its own in a magazine, but it's rather more noticeable when they're all assembled together.
Magdalene's extreme power is similarly a double-edged sword; I don't need to outline the difficulties inherent in building and
maintaining dramatic tension when your protagonist can do pretty much whatever she wants, up to and including killing and
resurrecting someone at will. To her credit, Huff makes this work for her, cracking jokes that depend on Magdalene's easy
access to powerful magic (often jokes along the lines of, "You, turn me into a mouse? Don't make me la... squeak"). Sometimes
the stories themselves are only possible because of this, as in the case of "Third Time Lucky," where Magdalene faces another
wizard who seeks to defeat her -- and the joke in the ending just wouldn't work if Magdalene were not the most powerful wizard
in the world.
Still, there is a certain glossing over this exercise of great power; and, whilst I enjoy light-hearted comedy as much as
the next reader, it is often more satisfying when counterbalanced by a bit of grit. It's not until the last and newest
story, "We Two May Meet" (in which Magdalene wakes to find two of herself, different sides of her personality in two separate
bodies) that the wizard really starts to consider the implications of her abilities. For me, this is the best (and perhaps
the funniest) of the Magdalene stories, with the most interesting fantasy notions. Though they're all amiable and amusing,
its serious undertones give the last tale that extra dimension.
I wouldn't describe the Terazin stories as particularly weighty, but they are that shade darker than Magdalene's tales,
because (as Huff notes), the thief has to work harder to solve her problems (though she's still the best at what she does),
and she just isn't as exuberant a personality as the wizard. Though there are still jokes, they aren't as many, or as
relentless (far from being an outrageous flirt, Terazin has eyes only for the mercenary captain Swan). That works in these
stories' favour, making the "stealing" half of the book the more satisfying as a whole. The stories of Terazin also take
more interesting and unexpected turns, as in "The Lions of al'Kalamir," where the "lions" that Terazin has been warned to
beware as she retrieves a prince's regalia aren't quite what she (or this reader) expected.
Taken as a whole, Stealing Magic succeeds in being all it wants to be: an entertainment with which you can happily
while away a few hours. So, if that's what you're in the mood for, take a look.
David lives out in the wilds of Yorkshire, where he attempts to make a dent in his collection of unread books. You can read more of David's reviews at his review blog. |
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