The Arkadians | ||||||||||||
Lloyd Alexander | ||||||||||||
Penguin Puffin Books, 273 pages | ||||||||||||
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A review by Neil Walsh
Wait, let me start over. Forget the back cover, and let's go to the beginning. The
dedication reads: "For hopeful storytellers and fond listeners." I couldn't
imagine a more fitting dedication for this book.
The Arkadians is a story about storytelling.
The setting is a fictionalized past with the tangible feel of ancient
Greece. The central character is an unexceptional young man, Lucian, employed
as a clerk at the palace of King Bromios. When he inadvertently discovers some
embezzling being perpetrated by a couple of powerful and influential soothsayers
and advisors of the royal court, he is forced to run away in an effort to avoid
some unpleasant "sacrificial procedures."
The travelling companions Lucian manages to accumulate throughout the book
include: the aforementioned talking ass, formerly a poet, who endeavours to
instruct Lucian in the art of storytelling; a feisty young woman who turns out
to be considerably more than she seems, and who simply does not fall for the
fantastic embellishments of Lucian's tales; and a young side-kick who refuses
to believe Lucian's recanting of his fantastic embellishments, and whose
boastful nature, combined with his firm belief that Lucian is a true hero of
mythic proportions, lands them in a couple of tight spots.
Meanwhile, King Bromios, as chief representative of the misogynous Bear Clan,
has begun a campaign to eradicate all influences of the Lady of Wild Things
in the land of Arkadia. Yes, it's the boys against the girls -- but don't
worry, they kiss and make up by the end. The King, ultimately, is not evil;
merely hot-headed and a little selfish. The pair of soothsayer/royal advisors,
however, are a different lot. They are downright murderous, and if our heroes
aren't on the ball, someone's going to end up on the sacrificial altar.
I suppose I found my parallel to Apuleius in that the author was an expert
storyteller and deftly incorporated several smaller tales into his larger
story. Oh, and there is a talking donkey, too. Sometimes, though, I felt
like Alexander was pulling some of the magic out of the Greek myths by
implying that they may have sprung from more mundane origins. But then I
suppose this is as plausible an explanation as anything. And, after all,
it's not necessarily the facts that matter in a good story, but the story itself.
Neil Walsh is the Reviews Editor for the SF Site. He lives in contentment, surrounded by books, in Ottawa, Canada. |
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