| J. | ||||||||
| William Sanders | ||||||||
| iPublish.com, 336 pages | ||||||||
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A review by Rich Horton
That's the setup for William Sanders' new novel, J., just out from the electronic/POD publishing
imprint iPublish, a division of Time Warner. iPublish has been heavily promoting itself in a series of ads as an
outlet for writers who can't find a publisher, in a way I find rather disturbing. But they have also published
some work by established SF writers, and the work that I have seen has been very promising. (The SF editor is
the fine SF writer Paul Witcover.) Examples include Gregory Feeley's novella "Spirit of the Place," a new
novella/memoir from the World Fantasy Award-winning writer Richard Bowes: "My Life in Speculative Fiction,"
and this novel by Sanders. All iPublish books are available in electronic format, and many,
including J., are also available as large format paperbacks -- certainly the latter is my preferred format.
Sanders has published a number of first rate novels in several genres: SF, fantasy, mystery, men's
adventure. He's best known in SF for two alternate history novels from the late 80s (Journey to Fusang
and The Wild Blue and the Gray) as well as his recent American Indian fantasy about nuclear waste
disposal problems: The Ballad of Billy Badass and the Rose of Turkestan, which made SF Site's list
of the best novels of 1999. He's also known for a number of outstanding recent short stories, including the
Hugo and Nebula nominated novelette "The Undiscovered." He's never less than a crackling good adventure
writer, and at his best he combines whipcrack action writing with a deadpan ironic sense of humour, fully
rounded, "lived-in" characters, and real passion. J. is Sanders at close to the top of his
form -- it's perhaps not quite as good as The Ballad of Billy Badass and the Rose of Turkestan, but
that's a high standard -- and it is fast moving, intense, and fun to read. It's also as close to pure SF
as Sanders has ever come at novel length.
The story follows the three women, who share the same name in different forms (Jay, Mad Jack, and Ann, all
short for Jacqueline Ann Younger) as they cope with the realization that in some strange way they are the
same woman, in three divergent time lines. Mad Jack's is the most distant from ours, and Sanders portrays
her post-Apocalyptic anarchic New Mexico with brutal realism. We see only a little bit of Ann's
world -- similar to ours with slight divergences that have led, for example, to a more advanced
space program. And Jay's world, as far as we can tell, is our world. The main action opens with
Ann threatened with rape by a brutal worker at the mental institution to which she has committed herself
-- but suddenly she is rescued by the strange appearance of the heavily armed Mad Jack. Jack
deals with the rapist in the manner which is second nature to her harsh way of life. But of course
in Ann's world that's murder -- and while Ann and Jack clumsily try to escape the law, there really
isn't any hope for them -- until somehow they find themselves in Mad Jack's version of Santa Fe. That
provides only the briefest respite, however, especially when mysterious gray clad men show up,
apparently ready to kill the women out of hand.
But soon they find themselves, by what means they don't know, in yet another world, and they meet up
with Jay. However, that's not a long-term solution to the problem of the gray men, to say nothing
of their new short-term problems dealing with Jay's drinking, and with the unavoidable eventual
problem of explaining the appearance of two extra women in a world with no place for them.
J. careens back and forth, the action never stopping, and always realistic (these women aren't
invulnerable superheroes), as they struggle to escape their pursuers. Fortunately, they find a man
who mysteriously has some idea of what might be happening -- and eventually they learn, to some
extent, what's been going on -- and they even have a chance at finding a way that all three
women can stay together. This novel features three involving and believable main characters, some
fine SFnal speculation that is reminiscent of some of Poul Anderson's work, and some of
H. Beam Piper's, and an always compelling plot. It's definitely worth a trip to the iPublish site
to buy a copy -- or a trip to one of the online booksellers.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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