| Mindswap | ||||||||
| Robert Sheckley | ||||||||
| Narrated by Tom Weiner | ||||||||
| Blackstone Audio, 4 hours, 39 minutes | ||||||||
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A review by John Ottinger III
Sheckley was known as a humorist, and his situational comedy is superb. Allowing his laughing pen full
reign, Sheckley brings more and more wit with each passing moment, while also delving into themes of truth,
right and wrong, and the nature of reality. Hapless Marvin is a character that any downtrodden young soul (or
those who were young once at least) will easily identify with. Marvin is the gangly, silly, not quite cognizant
young man just beginning to see what the universe is really like, and just how it can eat trusting young people
for breakfast.
Readers raised on a steady diet of science fiction may find the story rather simplistic. The story is also full
of a Marx Brothers style of humor that may not appeal to the modern palate. Written in 1966, there are of
course some anachronisms, but surprisingly, the concept of mindswapping is only just a little bit closer
today, leaving this novel still very prognostic. Readers who enjoy Piers Anthony, Terry Pratchett, Douglas
Adams, or other broadly comical, witty, satirical, and slightly absurdist writers, will find this novel to
be an early genre gem.
The story is quite a fun one, full of wacky adventures and Three Stooges-like comedy, excellently voiced by the
talent of Tom Wiener. Wiener, whose voice credits include Ghost in the Shell, Buffy the Vampire
Slayer and the voice of Grimlock in Transformers: Robots in Disguise, gives each character an
individual voice, even cadence, so that it is quite easy for the listener to follow the story. In fact, Weiner
does so well, oftentimes, you might believe that you are listening to a full cast, rather than a singular
reader. Weiner paces the reading well, though in the car it is occasionally hard to hear the reading as Weiner
pitches his deep baritone rather higher for feminine voices.
My one true caveat to this production is not the book itself, but in its format. The edition I reviewed
came in MP3 format on a CD. Theoretically, this sounds like a good idea. Readers will be easily able to transfer
the work to a computer without "ripping" it, and can play it on any CD player capable of playing MP3 CD's. Sadly,
I owned no such CD player and was forced to place the MP3 files on my iPod. However, this took some doing,
as finding the MP3's on the disc was difficult, then iTunes would not recognize them without some workarounds,
and a project that should have taken five minutes, took two hours instead. I appreciate Blackstone Audio's
catering to the digital age by providing an MP3 CD, but they may want to think about making them easier to
use, possibly have one large file in the CD as well for those who upload audiobooks to their MP3 capable devices.
John Ottinger III's reviews, interviews and articles have appeared in many publications including Publishers Weekly, Sacramento Book Review, and Tor.com. He is also the proprietor of the science fiction/fantasy review blog Grasping for the Wind. |
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