Ancient Symbology in Fantasy Literature | ||||||
William Indick | ||||||
McFarland, 203 pages | ||||||
A review by Nathan Brazil
Potential readers who are now thinking that this is a stuffy, highbrow work, may like to reserve judgement. I found it to
be carefully written work, providing an expert view in a manner that, while not intended for those who have trouble with
more than two syllables, stayed the right side of accessible. Indick explains in a manner that is revealing, without
becoming patronising or intellectual to a point where, for most people, focus might begin to wander. Indeed, the author
clearly loves his subject and takes care to ensure that readers stay with him, and by so doing learn something
worthwhile. In particular, that a myth is not there to instruct us as to how we should live or what we should think, in
the inflexible manner of a political ideology or religious doctrine. But rather, a myth is at heart intended to present
us with symbols that are both guides and inspirations. Islands in the stream of consciousness from which we can -- and
in most cases should -- decrypt our own interpretations. Many archetypes are given space here, including traditional
hero figures, and classics of fantasy literature such as the Bothers Grimm. When discussing Grimm and other classic
fairy tales, Indick presents as clear view of the intended meaning, as opposed to the saccharine sweet, blatantly
sanitized Hollywood versions that are sadly more familiar today. One example that I'd like to mention being the hourglass
of red sand owned by the wicked witch in The Wizard of Oz. A prop which, originally, symbolizes the
blood synonymous with female maturity.
Ancient Symbology in Fantasy Literature pulls off a rare trick by being useful as an aid to those interested
in serious academic study, and as a source of entertaining enlightenment for more casual readers. I can recommend the
work to readers who would like to scratch beneath the glossy surface of fantasy literature. The glimpses of unreality
on offer are the literary equivalent of a digital camera shooting RAW in preference to JPG; subtle details are available
for those who wish to tease them out, and those details can make all the difference in seeing what is actually present.
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