The Door Into Summer | |||||
Robert A. Heinlein | |||||
Victor Gollancz SF Collectors' Edition, 192 pages | |||||
A review by Rich Horton
The Door Into Summer is one of Heinlein's sunniest novels, and one of his most straightforwardly enjoyable. At
the same time, it's a little slight next to Double Star, or indeed next to some of his novels which I don't
think are as successful, but which are certainly more ambitious: Starship Troopers, Stranger in a Strange Land,
and my other favourite among his novels, The Moon is a Harsh Mistress. And by slight I don't mean just length (it's
much of a length with Double Star, though much shorter than any of the later adult novels): thematically it's
just not terribly challenging. But to say that is to risk denigrating the book unfairly. What it does, it does almost
perfectly, and it ends up being quite moving as well. I've been watching the Olympics, so perhaps this
analogy is in order: it's like a low-degree of difficulty dive executed with perfection -- and such a thing is better
than a high degree of difficulty dive ending in a bellyflop (I Will Fear No Evil, anyone?).
The book opens in 1970, a few years after the Six Weeks War, a nuclear war (yes, this book was written in the 50s). Dan
Davis is a successful inventor. His main product is an automated "cleaning lady" called Hired Girl. He's got
a booming new company, run from a business standpoint by his good friend Miles Gentry, and the company secretary, the
beautiful Belle Darkin, is engaged to marry him. He is owned by a nice cat called Petronius Arbiter, and he has
another great friend in Miles' 11-year-old stepdaughter Frederica (Ricky). He has just finished designing an even
better machine: an all-purpose automaton called Flexible Frank. Could life be any better?
Naturally, it all crashes on him. Miles and Belle betray him, marrying each other, forcing him out of the company,
stealing his patents, even chasing away his cat. Then they stuff him into a cold sleep establishment, arranging for
him to wake up in the year 2000, too late to take any action. Dan wakes in the year 2000, and several chapters are
taken in giving us a view of the year 2000, while Dan relearns engineering, and tracks down the traces of Miles and
Belle, and then looks for Ricky. What he finds is very surprising indeed, and he is driven to a desperate attempt to
set his future right.
It seems very appropriate to reread this book in 2000, given that the bulk of the book is set right now. As with
any book of that time, the predictions are mostly oddly off. But they are still interesting, and Heinlein was a
sharp man, so his predictions often make a lot of sense, and every once in a while he even hits. This book features
something a whole lot like Automatic Teller Machines, complete with interbank transfers, for instance. And one of
Dan's inventions, Drafting Dan, reminded me somewhat of Computer-Aided-Design programs, though at the same
time Heinlein almost completely missed the ubiquity of computers, especially personal computers. And of course we
didn't have a nuclear war in the 60s (although we had a good scare in the fall of 62) that caused the U.S. capital to move to Denver, and we don't have the
beginnings of planetary colonies, and we don't have anything like "cold sleep."
Of course, nobody in their right mind reads 50s SF, or any SF, for accurate predictions. The light the predictions
throw on the way people thought about the future in the 50s is interesting. And the sum total of the changes Heinlein
shows is a better world, which is Heinlein's real theme. To quote:
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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