| Perfect Nightmare | |||||
| John Saul, read by Dick Hill and Susie Breck | |||||
| Brilliance Audio | |||||
| A review by Lisa DuMond
Pity poor Lindsay Marshall. A rich girl who just found out her carefree high school years are about to hit a major obstactle
in the form of a move from suburbia to the Big Apple. Though she comes across as just a touch whiney (thanks to a superb vocal
performance by Breck) perhaps it's because she reminds us a little much of how we were at that age. When this attitiude causes
the adults around her to discount her feelings of being watched and threatened it is impossible not to empathise with the
young girl. Who hasn't had the experience of not being taken seriously? Unfortunately, this is one situation where such
doubts could well prove fatal.
It is the very human thoughts and emotions of the characters that give this novel its chilling impact. Lindsay's father,
the heartbroken Patrick Shields, even the killer -- all have flaws, from glaring to subtle, that make them more real and
fully fleshed-out than some of the other psychological suspense casts that clutter the shelves of bookstores across the
country. These are people we can easily imagine running into, even offering help to in distress. listeners don't have the
comforting distance that allows for an easier, safer read. The horrible things happening within the pages of Perfect
Nightmare could happen to any of us. And that is scary, indeed.
Frights are not the only thing awaiting listeners in Saul's novel: the sheer sickness of the deranged killer is the kind
that makes a long, scalding shower seem like an excellent idea, but still not enough to wash off the touch of perversion
oozing from his every pore. And Saul is not shy about detailing just exactly what is so disturbing about paraphilias. Some
scenes are so unsettling it may seem like a good idea to hit the Pause button -- that's possible in fiction; too bad
real life isn't like that. There have been far too many examples lately to let us forget that for even an instant.
Perhaps that's the real purpose of dark realism: not to give us a good scare, but a very, very bad one. Perfect
Nightmare delivers on that level and leaves us with an idea of our own vulnerability. Pretty strong stuff for
such a small package, eh?
In between reviews, articles, and interviews, Lisa DuMond writes science fiction, horror, dark realism, and humour. DARKERS, her first novel, was published in August 2000 by Hard Shell Word Factory. She is a contributing editor at SF Site and for BLACK GATE magazine. Lisa has also written for BOOKPAGE, PUBLISHERS WEEKLY, Science Fiction Weekly, and SCIENCE FICTION CHRONICLE. You can check out Lisa and her work at her website hikeeba!. |
|||||
|
|
If you find any errors, typos or anything else worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide