| Landscape of Demons and the Book of Sara | |||||
| Gabriel Devlin Kessler | |||||
| Millenium Press, 233 pages | |||||
| A review by Lisa DuMond
Many years ago, I knew of a man who read Dalton Trumbo's
Johnny Got His Gun in one sitting, rushed to the bathroom,
vomited, then sat down to read it again. If you've read the
anti-war novel, you know exactly what I mean. And, you'll
understand when I say Landscape of Demons is the only
book I've read since Trumbo's that affected me as
strongly. I bypassed the vomiting portion, but felt the urge at times.
There is no gore in Landscape of Demons. There are
no brains splattered, no hearts ripped beating from chests,
no loathsome monsters -- not in a literal sense. The violence
and horror in this startling novel are of the more personal,
less visible kind. Given the choice of living out Steve
Goldblatt's life, though, I would opt for a quick death, no
matter what the method. Anything to escape the appalling
suffering he internalizes, storing it up for later.
An alternate title could have been "Circle of Sociopathy," or,
perhaps, the "Genuine Making of a Serial Killer," although it
never devolves into such an easy and obvious end.
Landscape of Demons fits admirably, though, for the entire story
takes place and is seen through the warped filter of Goldblatt's
brain. The damage is done before the reader arrives; an
irreversible blend of mental illness and torture chamber
environment that could only produce the less-than-human
monstrosity the narrator becomes. The outcome is as
inescapable as it is horrifying.
It is a demanding read -- draining in its subject matter, nightmarish
in its implications -- but astonishing in its brilliance. The
fact that this is Kessler's first novel is astonishing. His
control over the disjointed and disturbed flow in the lead
character's mind never lapses. There are times when it is
difficult to judge whether an event is actually occurring: as
difficult for Goldblatt as the reader. The ability to convey
the plot and the action through such a distorted lens is both
rare and amazing. Many established authors would be at
a loss to crawl so deeply into the mind of madness and return with a coherent story.
Landscape of Demons is horror of the most terrifying
sort. This is the atrocity that surrounds us at all times,
hidden behind cheerful kitchen curtains and appearances at
the PTA. It is the torture of the trapped. It is watching the
training of the next shift of torturers. And being utterly
unable to intercede to stop the nightmare.
Lisa DuMond writes science fiction and humour. She co-authored the 45th anniversary issue cover of MAD Magazine. Previews of her latest, as yet unpublished, novel are available at Hades Online. |
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