| TaleBones, Fall 2001 | |||||
| A review by Rich Horton
The Fall 2001 issue features seven short stories. As with many small press publications, Talebones restricts
itself to shorter pieces -- the longest here is a bit over 6000 words. This is something I've mentioned before in
several places, and I suppose it is tedious of me to continue to harp on the subject, but it is my feeling that the
novelette and novella lengths are very good for SF, and I regret that so many venues are inhospitable to those
lengths. Though I will admit, if you have only some 30,000 words budgeted for fiction per issue, it will be hard
to squeeze in too many novellas.
Anyway, on to the contents. The strongest short stories in this issue
are "The Yard God" by James Van Pelt; "Edward Bear and the Very Long Walk" by Ken Scholes; and "Harbinger"
by Steve Mohan, Jr. Van Pelt seems to be everywhere these days -- he has stories in the current issues of
Talebones, On Spec, Asimov's,
Analog, and The 3rd Alternative, as well as
recent contributions to Realms of Fantasy and other places. He's a solid writer who has been growing
story by story. This effort is a quiet tale of a mentally-handicapped young woman trying to care for her ill
mother. She as a special talent: she can sense the "minds" of animals (and insects), and even control
them. She is driven to use this talent to help her mother, and to protect herself, but at a cost.
Ken Scholes' story is about an artificially intelligent toy animal on a starship, who has to make an
arduous journey when disaster strikes.
The story is predictable and not terribly original, and a bit sentimental, but it's still an effective
use of the A. A. Milne source material to colour an exciting space adventure. And Mohan's "Harbinger"
examines a comet miner, threatened with unfair treatment at the hands of the company he works for,
and with the depredations of pirates. The scenario is familiar, but the rather dark resolution, in the
form of the means of revenge the miner finds, lifts the story above the ordinary. The other four stories
had some original ideas, and some nice writing, but none of them came together for me.
Talebones is subtitled "A Magazine of Science Fiction & Dark Fantasy". It generally lives up to that
subtitle -- often simply by having some SF and some dark fantasy -- but also by often featuring stories that
combine the two modes: SF Horror, I suppose. Certainly "Harbinger" fits the mold, in this issue; as do
Rhea Rose's "The Lemonade Stand" and James Michael White's "I, Like Alice". At its best, SF Horror can be
very effective indeed -- the veneer of verisimilitude provided by an SFnal explanation for horrific events can
deepen the horror. However, there is also the risk of promising a truly horrific, but rationally believable,
revelation -- only to see it fall flat (which to be honest I felt was the case with White's story). Still,
the mix of modes in this magazine works well -- it has a distinct character -- a must for any memorable
magazine.
Talebones is also stuffed with features. This issue feature an interview with Dan Simmons, a music
review column, three separate book review columns (including a fine overview of The Lord of the Rings
and Tom Shippey's Tolkien: Author of the Century, putting the book in the context of past and upcoming
films of it, by A. P. McQuiddy), as well as a letter column, editorial, and contributor bios. This is a fine
small press publication, worth your attention.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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