| Fall into Time | ||||||||
| Douglas Lain | ||||||||
| Eraserhead Press, 112 pages | ||||||||
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A review by Trent Walters
Kubrick, meanwhile, doesn't like her script. He wants something more experimental. But then planes slam into
the towers and the script is over. A blurb for this story on Amazon suggests that Kubrick orchestrated this, but
his behavior in the story belies this. Rather, he seems committed to her more than the project itself and tries
to encourage her career. But this may be my misreading.
The strongest, most emotionally moving of the stories here, for me, was "Resurfacing Billy" a story of an
inquisitive if semi-violent boy growing up in a future where everything is tightly regulated -- from trash to the
behavior of students. Billy's violent behavior puts him up against the society. The father, the protagonist,
fights both for his son and for his society and his desire to improve both conflicts. The ending is
painful -- both for what happens to the boy and for the father's reaction to it.
"Alien Invasion/Cup of Coffee Story" ostensibly tells the story of a couple how deals with the invasion of
aliens -- only the couple meta-fictionally deals with how we don't know we are except through the impact of media.
The last story, "Noam Chomsky and the Time-Box" relates through a series of blog posts how a time-traveling device
allows a man to travel back in time in order to meet Noam Chomsky so that the man can hear how he might
change society. Every time he goes back, though, he is thwarted by history or people in general. Next, he
tries to go to some extreme to make a difference. This tale delivers a line which may be a pervasive
thematic-motif popping out throughout Lain's work: "The description of a society overwhelmed by information
and technology seemed quaint to me. It was hard to comprehend that there was a time when people expected
comprehension to be obtainable, even routine."
These stories satiate the appetite of any reader who wants to read more Douglas Lain, a writer of the
thinker's sometimes meta-fictional SF and fantasy. These are not traditional SF works in that the
speculations are not the driving aspects of his narratives, but knowledge of SF helps one understand what he's up to.
Trent Walters teaches science; lives in Honduras; edited poetry at Abyss & Apex; blogs science, SF, education, and literature, etc. at APB; co-instigated Mundane SF (with Geoff Ryman and Julian Todd) culminating in an issue for Interzone; studied SF writing with dozens of major writers and and editors in the field; and has published works in Daily Cabal, Electric Velocipede, Fantasy, Hadley Rille anthologies, LCRW, among others. |
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