| Hum | ||||||
| Scott Marcano and Tom Lenoci, and illustrated by Renzo Podesta | ||||||
| Diablo Publications, 250 pages | ||||||
There's a lot that is good about this book. It shows the value of freedom. It promotes the use of simple and
direct solutions for simple problems. It shows people with disabilities living successful and happy lives. The
hero doesn't save the day in the way he intends. The art is fantastically dramatic black and white with
well placed color drug flashbacks. It's a good retelling of the classic hero's tale, with a slight subversion
of the trope at the end.
That being said, there was lots that could have been better. The story was simplistic good versus evil and the
art does nothing to add to the complexity. The civilization utterly collapses without the slaves in a remarkably
short time. No good reason is given for this. Technology seems to have disappeared in that time with things
like flying bikes and sonic guns disappearing so thoroughly that no one even questions their absence and
doesn't recognize them when they reappear. It was like the authors were not sure how soon after the rebellion
the story took place, even though they made it clear with the child and the master/slave relationship. Trying
to show the slaves as being successfully autonomous is not helped by having the most successful village be
the one that is partly run by a former master.
Fans of the post-apocalypse genre or of any of the three creators may enjoy this, but for the rest, there is
nothing special to see. Move along.
John Enzinas reads frequently and passionately. In his spare time he plays with swords. |
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