| A Slow and Silent Stream | |||||
| Loren W. Cooper | |||||
| The Fiction Works, 208 pages | |||||
| A review by Susan Dunman
The Borderlands form an uneasy buffer zone between the Kingdom of Lucia and the Moghan Domain. Tornin feels torn between
the Lucian king's request for his allegiance and the previous freedom he enjoyed as nobility in the renegade
Borderlands. Complicating matters is the fact that his mother is Moghan herself and has made sure her son is skilled
in the ways of the Haman, a Moghan discipline involving the use of psychic and other paranormal abilities.
When his relatives announce that they are going to fight the Moghan, Tornin decides to join forces with his uncle, whom
he adores. The war proves to be a long, difficult ordeal, but Tornin is an excellent warrior and learns to ruthlessly
kill with sword, dagger, and bow. Heavy losses force both sides to pull back and regroup. Particularly disturbing to
the Lucians are claims that some have witnessed the Moghan's use of Soulslayers, powerful sorcerers who can claim men's
free will, forcing them into zombie-like servitude.
Returning to the city of Easthold, Tornin must decide whether to swear fealty to Lucia or become a member of the
Wolfshead Regiment, an elite corps of warriors led by the enigmatic Lord Scaon. Tornin senses that Lord Scaon also
wields Haman knowledge, especially when he detects the faint glow of power radiating from the daggers issued to all
Wolfshead warriors. The question is, does Scaon intend to use that power for good or for evil?
In his first novel, A Slow and Silent Stream, Loren Cooper creates a primitive feudal world and invites readers to explore its many mysteries
through the eyes of Tornin, a 17-year-old adventurer who becomes world-weary before his time. Tornin is an angry young
man who often vents his rage in battles with an assortment of suspicious characters.
Pacing is brisk and fight scenes are frequent and often described in detail. Throughout the story, Tornin attempts to
analyze his overpowering emotions by retreating into a metaphysical space he refers to as the Hall of Silences. Here
he offers his thoughts in soliloquy style on the conflicting powers of love and hate and why one should be chosen over the other.
These thoughtful interludes provide breaks in the action and help readers see what drives the motivations of the main
character. However, those who prefer non-stop action may see these introspective conversations as distracting rather
than informative. In either case, it is a creative device to help readers identify with Tornin and think about the
love/hate issues that drive his actions.
Because Tornin always seems to be angry, his response to situations often appears extreme. His seething frustrations
can become a little too predictable, making it difficult to feel much sympathy for the character or his plight. In
fact, I found myself liking Tornin's tough little battle horse, Burr, better than his owner. But what Tornin and other
characters may lack in their personal development, the author makes up for in imagination and action. Tornin's world
is a rough and ready place where hesitation is often lethal and the hint of magic plays at the edge of reality.
Those who enjoy medieval worlds where might makes right and life is a daily challenge will appreciate a visit to the
Borderlands. Mistaken identities, hidden motives, and the constant struggle between actions which nourish hate or
encourage love make this an engaging novel with an interesting mix of philosophy and sword-clanging action.
Susan became a librarian many light years ago and has been reviewing books ever since. Audiobooks and graphic novels have expanded her quest to find the best science fiction in Libraryland. |
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