| Wolf's Bane | |||||||||||||||
| Tara K. Harper | |||||||||||||||
| Del Rey Books, 337 pages | |||||||||||||||
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A review by Stephen M. Davis
To begin with, the dialogue is unbearably bad throughout much of the book. Ms
Harper wishes for us to believe that grizzled trail riders spend ninety
percent of their free-time engaged in coffee-house psychobabble about
personal loss and the need to look to a brighter future.
For instance, near the beginning of the book, Aranur is holding a conversation
with his mate, Dione, who figures as the main character of Wolf's Bane. He
dismounts from his six-legged beast and says to Dione,
People just don't talk like this. And if they really do talk like this on the
planet of Asengar, then the reader can more fully understand why
the resident aliens of this world -- the Aiueven -- have created a plague to
kill off these loquacious nincompoops.
The plot of this book is rather hard to pin down. Eventually, the main
character, Ember Dione the Wolfwalker, goes on a quest to meet the
Aiueven, a feathery, mildly psychotic race of aliens who seem to
oscillate between benevolence and raving mania.
The first three hundred pages or so of the book are Dione's attempt
to come to terms with the death of one of her children and the later
loss of another main character whose name I will not reveal in the interests
of those of you who stubbornly plunk down your six bucks for the novel.
There is some interest generated by Dione's conflict with Bandrovic, a
scheming Raider, who actually has plans for Aranur, and who just
wants Dione for bait.
Along with Bandrovic, the other interesting character presented in
this book is a young healer-apprentice named Asuli, who in real life
on Earth would have been "fragged" out in the wilderness by Dione's
companions, but who sticks around long enough to give the novel
some much-needed comic relief.
It is a sad commentary on a book when the only two characters of any
depth are both self-serving, scheming, and manipulative, and that the
reader ends up appreciating them all the more for it.
After Dione's entourage has had its climactic encounter with Bandrovic,
Dione begins to develop her Christ-complex, continually questioning
why she has to carry her heavy burden of guilt, memories, and nagging companions.
Each of her companions takes it upon him or herself to pull Dione
aside and offer positive comments on the future and introspective
dialectic on their view of Dione's view of the world.
This continues until deep in the book, when Asuli, sensing that she
is the only interesting character Ms Harper has to write about, manages
to remove herself from the story-line (and remains alive in doing so).
At this point, Dione decides that her new goal in life is to make contact
with the Aiueven, a race of superbirds responsible for the plague that
is decimating the ranks of the wolves on this world, as well as killing
tens of thousands of human inhabitants.
Dione draws on her own highly developed mental powers -- honed through her
mental connection to the wolves of Asengar -- to carry on a conversation with
the Aiueven, a conversation that eventually leads to her being adopted by
one of the aliens.
Ultimately, Dione fails in her hopes of forcing the Aiueven to
give her the knowledge that will allow her to develop a
cure for wolves and men.
My understanding is that Ms Harper was going through some kind of
personal crisis while writing this book. My suggestion for her would be
to do what the rest of us have to do with pain and sorrow: grieve on your
own time, and give the folks in the audience what they are paying for. In
this case, that would be a solidly-structured novel centering on characters
who talk in a believable manner and who act in a realistic fashion.
Steve is faculty member in the English department at Piedmont Technical College in Greenwood, S.C. He holds a master's in English Literature from Clemson University. He was voted by his high school class as Most Likely to Become a Young Curmudgeon. | ||||||||||||||
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