| The Life Eaters | ||||||||
| David Brin | ||||||||
| Wildstorm/DC, 144 pages | ||||||||
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A review by Cindy Lynn Speer
Fans of David Brin might find The Life Eaters strikes a familiar cord. This book was inspired by his Hugo-nominated 1986
novella, "Thor Meets Captain America."
This cleverly written what-if story explores so many things. First, we've all heard of how the Nazis seemed really obsessed
in the occult. I was particularly interested, for example, in Hitler's search for the Holy Grail. Exploring this interest
is not new. Steven Spielberg used it in Raiders of the Lost Ark, for one, but it is an idea (an ironic idea, considering the
other things the Nazi party was against) that shows how complex the madness was. For this book, it gives a horrifying
purpose to the mass murders of so many people. For their deaths gave Hitler power to call these Aesirs, and later others,
into being. Whether they are real, aliens, or constructions of this terrible magic, no one knows. I particularly enjoyed
the fusion of myth and war, especially when Brin shows us what happens when other pantheons come to life.
It is also a story about heroes. The first one we meet is a man who, along with some soldiers, are part of Loki's plan
to blow up Aesir. Chris is a good man, and his actions will inspire a future hero. This future hero will don
super-armor that gives him powers, but it is the person inside that triumphs. In these two Brin gives us people who, despite
the horrible straits they find themselves in, are determined to overcome, not just for themselves, but for the
world. They are admirable, they make us feel optimistic about the future of human kind.
Scott Hampton's art is a good match for Brin's prose. I confess, I am far more used to the Sandman versions of Loki and
Odin, and of the Marvel version of Thor, so seeing how he chose to portray these Aesirs was really interesting. They
look far more like Ancient Norman carvings. His ink and paint panels are well done, expressive and realistic. Part of
this realism comes from a rather subdued palette of colors, a strong choice that adds to the atmosphere of the book
perfectly. There are some scenes of desolation that I found particularly striking, and the cover, too, while not an
actual scene from the book, is a good example of what you can expect inside.
Often times as optimistic as it is heartbreaking, this tale creates a past I'm truly glad never happened but found it
fascinating to walk through.
Cindy Lynn Speer loves books so much that she's designed most of her life around them, both as a librarian and a writer. Her books aren't due out anywhere soon, but she's trying. You can find her site at www.apenandfire.com. |
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