Like a handful of comic book artists before him, the sheer quality of Ross's photo-realistic work has elevated him to legendary status. It was refreshing to find via the commentary element of this book that, unlike some of his predecessors, he has remained a humble man grateful for his talent and all it has brought. Ross also comes across as someone who is without rancour toward opportunity denied, or potentially fruitful avenues that remained closed. Rough Justice does more than present a selection of Ross's unpublished sketches, it maps out a pivotal time in the life and career of someone with a burning passion, who did not compromise when it came to quality. Of particular note are the drawings from 2008, when Ross became the first DC artist ever to provide simultaneous cover work for both Batman and Superman. The basis for those designs are included here, along with versions that were rejected either by editors or by himself. I was particularly taken with a full page pencil work depicting Captain Marvel, from Ross's JSA period. The brooding nobility and troubled thoughts evident in this depiction -- of a Superman alternate -- says more about the character than some writers can manage in an entire issue. Perhaps the most startling element, for those who already own comics depicting Ross's finished paintings, are the differences between that work and its preliminary sketches. Both exude realism and intensity, but the sketch work somehow feels closer to the bone, and because of that, closer to the artist himself.

Rough Justice reminded me that the world of comic books would be a poorer place without Alex Ross, and those whose work he has inspired or enhanced. I can recommend the book not only to established fans of his work, but also to any budding comic book artist who wants to see exactly how a master goes about his craft.