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by Rick Norwood
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The Man With the X-Files Eyes Is the truth out there or is Chris Carter just making it up as he goes along? Some writers invent their plots on the fly. A. E. Van Vogt, when he wanted to know what was going to happen next to Gilbert Gosseyn, would lie down and take a little nap. Whatever he dreamed would become the newest plot twist. Other writers plot carefully and plant clues along the way. Isaac Asimov, when he wrote Second Foundation, knew exactly where the novel was going, so that the ending seems both surprising and inevitable. In SF television and movies, we have seen both kinds of plotting. I loved the beginning of Twin Peaks, but it quickly became apparent that David Lynch was making everything up as he went along. The movie version, Fire Walk With Me, had an ending that contradicted the ending of the tv version. David Lynch didn't mind. But I did. George Lucas, on the other hand, clearly planned each Star Wars movie so that hints dropped in the previous film would be explained in the next. I suspect that Chris Carter, creator of The X-Files, is doing a little bit of both. He has said that his inspiration for The X-Files was The Night Stalker, where there was little or no plot development from episode to episode. And that is how The X-Files started out. But fans liked episodes that revealed secrets of the conspiracy. So Carter seems to have started some fast and furious plot development and has given the series a definite sense direction. Each season there are a few major revelations, often in the season premiere or in a mid-season two-parter, and the X-Files movie promises to wrap up the conspiracy story line. Carter is on dangerous ground. If he gives away too little, the fans will never forgive him. If he gives away too much, then the story is over, and what does he do for an encore. If he goes too far, he turns The X-Files into just another science fiction series. If he doesn't go far enough, he disappoints his loyal fans. I wish him luck. But more than that, I hope he knows what he's doing. |
Websites Other Babylon 5.1 Columns For more information, you can try the following sites: Rick Norwood's Website Worldwide TV Schedule The Official Babylon 5 Website The X-Files Pocket Books: Star Trek Paramount Star Trek
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Patient X (****) and The Red and the Black (****) written by Chris Carter and Frank Spotnitz | |||||||||||||
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My only real complaint is that Carter is too fond of keeping secrets. Which alien did Mulder shoot in the back
of the truck? Shooting the rebel wouldn't do any good. Only the ice pick can kill him. Would shooting kill the
shape-shifter? I think it would. But how does Mulder choose sides? Both sides are inimical to humans. Mulder
knows who he shot. We should know, too.
There is other important information that we have learned in previous episodes. The colonists are not the only
aliens on Earth. The colonists look human, but have goo for blood and can only be killed by a short sharp stick
in the back of the neck. Some of them, at least, reproduce by cloning. Not all of the clones are on the same side
as the alien powers that be. The aliens have hired a shape-shifting bounty hunter from, I believe, Orion to
eliminate dissidents and rebels. The bounty hunter is a different alien race from the colonists. There is a
third group of aliens: short, child-like, with large eyes and pipe stem limbs. We don't know much about them,
and know nothing about their relationship with the colonists. We do know that all the major governments of Earth
have signed a treaty, agreeing to kill these aliens on sight. We also know that our government conducted
experiments to form a hybrid between these aliens and humans -- ultimate purpose unknown. Every one of these
aliens that we have seen so far, and also every alien/human hybrid, has been killed.
So, what is left for the movie to reveal? Lots. And I look forward to it with great antici... pation. But
Chris Carter better play fair. If he pulls a David Lynch, I'm outta here.
Here is a list of the major conspiracy theory episodes of the X-Files:
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Star Trek: Deep Space Nine, The Sound of Her Voice (***) teleplay by Ronald D. Moore from a story by Pam Pietroforte | |||||||||||||
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Captain Lisa Cusak has crashed on an alien planet, and the Defiant goes to her rescue. Meanwhile, back on DS9, Quark
tries to put one over on Odo, in an acceptable back story. There is very little plot and a lot of characterization,
but everything rings true and holds our interest.
The only drawback? This isn't really a television program at all. It's a radio drama. All of the story is told in
words--the pictures are just decoration. In fact, as a fan of old time radio, I suspect this episode would work
better if you turned the picture off. Try listening to this one in the dark.
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Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R. A. Lafferty, and Hal Foster. |
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