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by Rick Norwood
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The X-Files: Fight the Future (***) by Chris Carter | |
Movies are usually better than television. Television has yet to produce anything as good as
Gone With the Wind or Lawrence of Arabia. But that may be changing, because television is becoming
more daring, even as movies become more conservative. One thing is certain. Movies made from
television shows are almost never as good as the show on which they are based. No Star Trek movie
has been as thought provoking as "Amok Time" (****), "Measure of a Man" (****), or
"Far Beyond the Stars" (****). There were dozens of Twilight Zone episodes better than
Twilight Zone -- the Movie (**). The one movie I can think of that was better than the series is The Fugitive (****).
Why is this? Well, if you are producing 20 or more episodes a year, you can afford to
make a few shows that are totally over the top. "War of the Coprophages" (****), "Musings of a
Cigarette Smoking Man" (****), and "The Unusual Suspects" (****), for example. If they flop, a
more conventional episode will come along next week. But if a movie flops, heads will roll,
and one of them may be your own. So you rely on the tried and true. Explosions. Nobody ever
lost money by putting too many explosions into a summer movie.
But The X-Files isn't about explosions, it's about paranoia. And it's about Mulder and Scully. The
scenes in the movie that satisfied me the most were small moments: the eerie playground in the desert,
the corn field, the railroad crossing. And, most of all, the personal interaction between the lead
characters. The picture is worth seeing, yes. But with more strangeness it might have been as good as the series.
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Some of the problems that kept me from enjoying the film as much as I had hoped.
If you are already a fan of the series, you have seen the movie. It's ok to have enjoyed it. And it's natural to have reservations. I wish the plot had ended just a little further away from where it began. If you are not already a fan of the series, watch a few of the best episodes. Then see the movie.
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Star Trek: Deep Space Nine, Tears of the Prophets (****) by Ira Steven Beher and Hans Beimler | |
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Some people whom I've chatted with about this episode were confused about just what an invasion of Cardassian
space meant. The Cardassian Empire includes many star systems. The difference between invading Cardassian
space and reaching Cardassia Prime is as large as the difference between the landing at Normandy on D-Day
and reaching Berlin. Another question I've heard raised is how Gul Dukat gets aboard Deep Space Nine. By
that point, he has attained powers that are undefined, but certainly immense.
This episode is not quite one of the all time greats, but, even in a season with many great episodes, it
stands out as much better than we had any reason to expect.
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Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. |
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