by Rick Norwood
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The X-Files, "The Sixth Extinction" (***) written by Chris Carter and Frank Spotnitz | |
There is no god. Humanity was created by aliens, and all of our religions, including
Judaism and Islam, are lies told us by our alien creators. This is the new direction of
The X-Files, and if you check your brain at the door, things are getting very exciting on a visceral level.
Scully discovers a flying saucer in Africa which has Genesis written in Navajo on the outside.
Mulder becomes simultaneously telepathic and near-catatonic.
The problem is that some of this is really dumb. I have observed that creators, once they
commit themselves to something dumb, tend to buy into that dumbness, and stubbornly persists
in defending that dumbness. They insult their audience. "This is just television. Viewers can't
chew gum and change channels at the same time. Nobody is going to notice."
People do notice. To mention just one major dumbness, this flying saucer supposedly has
the entire human genetic code written on it in Navajo. Watching Scully translate, we see that she
is doing a phonetic transliteration. She sees the Navajo character pronounced "G" and
transliterates it as an English G, and so on, until she spells out "guanine", one of the bases of the
DNA molecule. This is silly on several levels. I'll mention just two. First, "guanine" is an
arbitrary name that didn't exist until some human being invented it. Second, when writing out
the genetic code, everybody uses abbreviations: G, A, T, C. It would be ridiculous to write out
the name of every base in full.
It would be so easy to avoid stupidity like this. I can only assume that Chris Carter does
not consider that worth doing. This attitude, as much as anything, diminishes my enjoyment of
The X-Files. Star Trek, from the very beginning, always took pains not to insult its audience
needlessly.
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Star Trek Voyager, "Dragon's Teeth" (***) written by Michael Taylor, Brannon Braga, Joe Menosky | |
This is Star Trek action, with spectacular special effects. Now that Voyager is the
flagship of the Star Trek franchise, some major work is clearly going on behind the scenes to
increase the excitement and the number of CGI effects. The look of Voyager, while still not at
the level of Babylon 5, is a lot more high-tech than last season.
The Vodwar are a new alien race, who know the secret of subspace corridors. This
allows them to travel much faster than Voyager. And the Voyagers could get closer to home if
they could learn to navigate subspace corridors safely. One of the ongoing problems with
Voyager has been that we leave behind all of the interesting civilizations we encounter along the
way. The subspace corridors are an interesting new development.
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Star Trek Voyager, "Riddles" (***) story by Andre Bormanis, teleplay by Robert J. Doherty | |
This episode is worth watching entirely because of the superb acting of Tim Russ,
playing the Vulcan Tuvok suffering from brain damage. There is some forgettable
hugger-mugger about paranoid aliens that doesn't make a lot of sense, but what is memorable is Tim
Russ's performance, and the relationship between Tuvok and Neelix.
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Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. |
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