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(1951– ). American actress.
Undiscouraged by this rebuff, Alley—who had moved to Hollywood
from Kansas in 1975 and spent years working her way into the business—then provided
solid performances in two films of genre interest, Blind Date and Runaway,
before becoming a regular on Cheers, again showing that she could
effortlessly join an established cast of characters and immediately have an
impact. A year after she first appeared on the show, she and other Cheers
regulars briefly entered the realm of fantasy by participating in the
television special Mickey's 60th Birthday. But she still saw herself
primarily as a film actress and accordingly signed up to star in Look Who's
Talking, a film about a baby magically dispensing cynical wisecracks with
Bruce WILLIS's voice that was far better than it should have been, primarily
due to the herculean efforts of Alley and co-star John TRAVOLTA to make their
characters seem grounded and appealing. Their rewards for their good work, if
one can call them that, were lucrative assignments to reprise their roles in
two inferior sequels that no herculean efforts could uplift.
After Cheers ended its run, it undoubtedly seemed like a good idea to
appear in John CARPENTER's remake of Village of the Damned, but it
wasn't: working with the likes of Christopher REEVE was nothing like working
with Travolta, and the entire, wretched film seemingly damned all of its
principals, as Reeve was paralyzed in a horseriding accident, Carpenter lost
his status as a star player in Hollywood, and Alley drifted toward oblivion,
and obesity, in a series of unheralded television movies, which remain her
major avocation to this day. Still, Kirstie Alley has never been one to let a
few setbacks get her down, and while a return to science fiction film appears
unlikely at this point, there is still the possibility that some enlightened
soul, pondering new strategies for keeping the Star Trek franchise alive,
might resolve to let bygones be bygones and ask Alley back to portray an older
Saavik, coming full circle to capably command a starship just as she did in the
very first scene of Star Trek II: The Wrath of Khan.
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