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Stamping Butterflies and End of the World Blues by Jon Courtenay Grimwood reviewed by Greg L. Johnson Each novel feature a connection between a character from our own time and a mysterious figure from the far future. In both stories, the mystery of just what that connection is is hidden within the intimate details of the characters lives, revealed only at last in casually oblique hints and twists of phrase. But even with their similarities in set-up and style, both are more than distinct enough to lay to rest any criticism of a writer repeating himself. The effect is instead akin to that of a master composer using a memorable melody to craft two separate symphonies, each worthy of standing on its own.
End of the World Blues by Jon Courtenay Grimwood
9Tail Fox by Jon Courtenay Grimwood
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Lucifer's Dragon by Jon Courtenay Grimwood reviewed by Nathan Brazil In two tales separated by a century, Passion diOrchi, daughter of a West Coast Mafia boss, has a plan to rebuild Venice, in the middle of the Pacific. As a base, she uses a huge fleet of old, worn out, barely seaworthy ships, and couple of oil rigs. Fast forward a hundred years, and New Venice is firmly established, with a central area of extreme opulence, surrounded by bolt-on floating slums. Count Ryuchi, and the other members of an equally divided ruling council, maintain the status quo, under the symbolic rule of the Doge, a 10 year-old boy named Aurelio. Then the Doge goes missing.
Felaheen by Jon Courtenay Grimwood
Effendi by Jon Courtenay Grimwood
Pashazade by Jon Courtenay Grimwood
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