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The Golden Age of Best SF Collections: A Chronicle
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Once upon a time there was a true Golden Age of Best of the Year collections. Though there was at
least some activity before its heyday (most notably the early annual Judith Merril
collections -- 1956-1968), the Golden Age of Best of the Year collections took place and
peaked between the years of 1972 through 1981.
Beginning where the ground-breaking Judith Merril left off, combining their seemingly disparate
points of view (witness their quite different personal fictions), close friends Harry Harrison
and Brian Aldiss nevertheless co-edited the successful The Year's Best Science Fiction from 1968-1976 (Berkley).
While at Ace Books, Donald A. Wollheim (DAW) and Terry Carr co-edited a Year's Best SF
from 1965 to 1971, at which time both left Ace. From 1965-1967 the genre was blessed with
two SF Bests, and including the first volume of the Harrison/Aldiss, three from 1965-1968.
Wollheim launched DAW Books in 1972 and immediately began the new Annual
World's Best SF 1972 (as a new incarnation of his Ace series, which
renders the dating chronology somewhat confusing), along with The Year's
Best Horror Stories series, edited at first by Richard Davis, then Gerald
W. Page, and then from 1980 until his death in 1994, Karl Edward Wagner, at
which time the series folded.
With Dutton still the original hardcover publisher from the Wollheim/Carr days, Ace
continued as the paperback reprint publisher after Wollheim and Carr's departure in
1971, with 1973 seeing their Best Science Fiction Stories of the Year edited now by
Lester del Rey. Gardner Dozois then inherited the series beginning with the 1977
volume (and which, after changing paperback reprinters with Dozois' second year
at the helm -- from Ace to Dell -- ran until 1981).
Like Wollheim, fresh from his departure at Ace, in 1972 Terry Carr also began
his The Best Science Fiction of the Year (Ballantine Books, later under
Ballantine's new Del Rey imprint in 1978) which enjoyed a highly popular, continuous
run until his untimely death in 1987. In 1975 DAW launched The Year's Best Fantasy Stories
edited by Lin Carter (series editor from 1975-1980), which from 1981-88 was then
edited by an old friend from fandom's early days in the mid-1940's, Arthur W. Saha. It
was discontinued in 1988, approximately the same time Wollheim (due to ill health)
stepped down from the company he began, and which is worthy of historical note as
the very first all science fiction and fantasy professional book line. Don Wollheim
unfortunately passed away in 1990. Meanwhile, also in 1978, under the Berkley
imprint, Terry Carr launched the short-lived (four issues to 1981) Year's Finest Fantasy
volumes, and in 1979 the even shorter-lived
(two issues to 1980) The Best Science Fiction Novellas of the Year collections from Del Rey.
So in that truly golden year of 1972 the science fiction community enjoyed
four Best SF collections and one Best Horror collection.
Toward the mid to late 1970's and very early into the decade of the 1980's the
field sported the Wollheim, Del Rey/Dozois, and Carr Best SF collections,
the Davis/Page/Wagner Best Horror Series, the Carr Best SF Novellas collections,
and (again) the Carr Year's Finest Fantasy volumes, as well as the
Carter/Saha Year's Best Fantasy Stories. Not counting editorial changes in
continuing series', this counts for seven individual, ongoing series in all three genre fields.
Alas...
The Dell Dozois Best SF ended in 1981. The Carr Finest Fantasy also folded in 1981,
and his Best SF Novellas ceased publication the previous year, 1980. These changes meant
that by 1982 only the Wollheim (DAW) and Carr (Del Rey) Best Of series' remained
unbroken and alive on the SF front, the Saha Best Fantasy Stories for the fantasy
crowd (DAW), and the Wagner Best Horror Series (DAW) for the horror fans.
From an initial total of five Best SF/Horror collections in 1972 (four of them SF(!)
and one Horror --thanks to DAW), to seven Best Of collections running the gamut
from SF, Fantasy, Horror, and even one Best SF novella collection
(an unprecedented experiment from Terry Carr!) during the mid-70s to the very
early 80s, by 1981 the Best Of books -- those we had come to eagerly await to point
us to the best in their respective fields -- had gradually dwindled to four.
It wasn't until 1984 (after a three year hiatus) that Gardner Dozois began editing the
present incarnation of his The Year's Best Science Fiction
(the first 3 were from Jim Frenkel's Bluejay Books and then from St. Martin's Press) so the
field was once again fortunate to have three Best SF series from which to choose. But
then Terry Carr died three years later in 1987, with Don Wollheim following in 1990,
effectively cancelling both of their series. The horror crowd lost their only domestic
(pure horror) Best series with Karl Edward Wagner's death in 1994. Though a terrible
loss, horror fans still had somewhere to turn. Initiated in 1990 in the UK, Robinson
publishing had begun The Best New Horror series, at first co-edited by Ramsey Campbell
and Steven Jones, now edited solely by Steven Jones and simultaneously published
in the US by Carroll & Graf.
In the midst of this attrition St. Martin's Press, following the success of
its The Year's Best Science Fiction gamble, began its highly and equally
successful The Year's Best Fantasy and Horror, edited by Ellen Datlow &
Terri Windling (1988). Its dual focus -- an unprecedented combination -- (Ellen
Datlow on horror and Terri Windling on fantasy) has proven a commercial and
critical success, continuing the popular (and historically valuable) format
of individual, lengthy summations of each preceding year (which has hallmarked
the Dozois Best SF, and makes his annual summation worth the price of admission in itself).
Given the history, from its Golden Age of "Best" collections in the 1970s, to the
one-step-forward-and-two-steps-back and overlapping, hit-and-miss days of the 80s, by
the time 1990 rolled around the science fiction field had but one remaining
Best SF collection to look forward to, The Year's Best Science Fiction edited
by Gardner Dozois. This state of affairs remained so for five years. Though an excellent
voice, Gardner Dozois' is still a singular one. This situation changed in May of 1996
however, when HarperPrism and TOR books editor David Hartwell offered the first volume
in its Year's Best SF, which is now, happily, in its third volume in 1998.
And there is more positive news in the offing. News has it that
former Magazine of Fantasy & Science Fiction editor Kristine Kathryn Rusch will be editing a
new Best SF collection (details unknown at this time).
My self-imposed mandate for this piece is not to compare and contrast the merits of the
various Best Of volumes over the years, but merely to chronicle their history. They
were, and are, all valuable as historic markers of where the genre has been, and is. Each
and every one of them should be bought and read, for they give not only the "insider,"
but the casual buyer an absolutely great reading experience, and an invaluable introduction
to the true best of written short science fiction. Each and every one of them is
well worth your money.
{This is a substantially revised and expanded version of an article which appeared
originally in Tangent #15, Summer 1996, as part of a larger editorial. Acknowledgment
and thanks to Gordon Van Gelder for supplying facts and details missing from the original article.}