|
by Scott Danielson
|
|
In the not too distant past, the Earth survived a war with the Buggers, an insect-like alien
race. One man was able to make the difference in the war for humanity, but it is widely feared that the Buggers will be
back. To prepare, the military has taken to monitoring the Earth for the next military genius. Everyone who is considered a
candidate is taken from their families at a young age and placed into an orbital Battle School. Ender Wiggin, at 6 years old,
is considered to be the best candidate. Ender's Game is his story.
Even though I had read it three times over the past 14 years, I was glued to this audio version as if I didn't know what was going
to happen. The audio is a treat -- easily the best one I've heard this year. Stefan Rudnicki performs the main narrator
duties, while a number of others perform the conversations amongst the adults, which occur at the beginning of each
chapter. Orson Scott Card also recorded a postscript in which he discusses the origins of Ender's Game as a
novel. I can't recommend this one too highly.
Ender's Shadow is called a "parallel" novel to Ender's Game. This book is about Bean, another of the Battle School
students. Some of the events here parallel the events in Ender's Game, but the novel is not simply a re-hash of old material.
It tells the story of how four year-old Bean was found, malnourished and living dangerously as part of a gang of youngsters in
Rotterdam. Bean then goes on to Battle School, where he learns of his origins, of the Buggers, and of his leader,
Ender Wiggin. The novel is very satisfying and is the first of Card's current Shadow Trilogy, the third
of which (Shadow Puppets) will be published in August 2002.
The audio version of Ender's Shadow is unfortunately abridged. Though I would prefer an unabridged version, the
story worked well at this length. Much is missed, but what is there flows nicely. Michael Gross is an engaging reader,
and the adult conversations again are performed effectively by several different actors.
Nell is a little girl, 4 years old when we first meet her. Her brother, Harv, gives her a stolen copy of
the Young Lady's Illustrated Primer, an interactive ("ractive") book that was designed by an engineer who wanted his own
daughter to experience a bit more than the traditional education. Nell's mother flits from abusive relationship to abusive
relationship, with Nell and Harv protecting themselves as they can. Nell spends more and more time with the Primer, which
teaches Nell through stories told by real interactive actors ("ractors") via the Net.
The story is complex and mature. The main storyline follows Nell's life, and along the way we see an amazing world. The
world has become nearly tribal again with people gathering in Claves, each with their own rules and culture. Much time
is spent in a neo-Victorian Clave, a place where Victorian culture is adopted because it is felt that one has to go back
to the 19th century to find a viable model for society.
Stephenson explores two technologies in the novel as well, and they are both of equal influence on the story. The
first is the Net and the entire idea of interactive entertainment, which makes the Primer possible. The second is
nanotechnology, which is used in everything from planet building to the creation of stuffed animals in a
Matter Compiler. There are also nano-mites which float in your bloodstream and can do anything from carry information
to kill you with thousands of tiny explosions.
The only drawback to this novel is the ending, which, though inadequate, would not keep me from recommending it. The
rest of the book is so astonishingly strong, that to miss it would be missing one of the major works of modern science fiction.
The Diamond Age could not have been an easy novel to perform, but Jennifer Wiltsie did so admirably. This is the
first I've heard her, and I hope to hear her voice often. She had just the right tone for this, and I had no trouble at
all discerning the characters in the novel. An excellent job.
R.A. Salvatore's novel is a bit more that a straight novelization of the script. I listened to the abridged version of the book,
and an unabridged audio version is available. Even this abridged version contains much more than was shown in the
film. Several scenes were added that make the story itself a much more satisfying experience. All the inner dialogue adds
parsecs to the characters, as well. I am very curious as to what else the author has added in the unabridged version of his novel.
Jonathan Davis submits another excellent performance. It appears that he is now the favored Star Wars audiobook
narrator, taking over for Alexander Adams, who in turn took over for Anthony Heald. Again the production is quite good,
with sound effects added tastefully throughout.
NOTES
Fantastic Audio will be producing all the Ender books, including the soon to be published Shadow Puppets. At this
writing, Speaker for the Dead is just wrapping up. Available now are Ender's Game,
Ender's Shadow (Abridged), and Shadow of the Hegemon.
The Diamond Age is available on audio from Time-Warner, either abridged or unabridged. Stephenson's Snow Crash
is available both ways as well. Also, both titles can be downloaded at Audible.com.
|
|
Scott discovered the world of SF audio years ago, when he spent hours a day in his car. His commute has since shortened considerably, but his love for audio remains. By trade, he's an electrical engineer. Aside from reading and writing science fiction, his hobbies include community theater, where he can often be found behind the soundboard or (much less often) on the stage. |
|
|
If you find any errors, typos or other stuff worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide