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by Scott Danielson
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Speaker for the Dead is the second in the original Ender series. Ender has left the Earth and lands on Lusitania,
a world containing an alien race with strange ways living side by side with Portuguese colonists. Card takes the character of Ender Wiggin
to new depths as a Speaker for the Dead; Wiggin confronts the mystery of the alien species and the mysteries of some humans as well.
Shadow Puppets continues the current second series. It's the third book of four. Bean, Petra, and others from Ender's army are
young adults now. Peter Wiggin, Ender's older brother, has plans of his own as Hegemon.
These audios are simply excellent, there are no other words. Again, as in earlier installments of the audio series, different actors
are used as the story changes point of view. I find this tremendously effective, assisting both in both the clarity and the comfort
of the story. There are no weak readers in the bunch; the story moves forward nicely. I highly recommend all of the Card titles
from Fantastic Audio, without exception.
The story revolves around four men who have been friends since childhood. Every year, they meet for a vacation in November at a place
they call the Hole in the Wall, a cabin in the woods. Two of them arrive at the cabin, and two are on their way there when the
extraterrestrial excrement hits the fan. In addition to these four men, the most notable characters are Kurtz, a military man
whose assignment is to kill the ET's, and Dudditz, a retarded boy who is in many ways the fifth member of the Hole in the Wall gang.
Jeffrey DeMunn is a first-rate reader. His voice is a perfect selection for this horror story, and he's energetic, clear, and a
pleasure to listen to for the entire 23 hour length.
Every Stephen King novel I've heard on audio has had the benefit of and excellent reader. For your October listening, I heartily
recommend Delores Claiborne, read by Frances Sternhagen or Desperation read by Kathy Bates. My favorite Stephen King
novel (one of my favorite novels, period) is The Stand, which I recently discovered exists on audio from Books-on-Tape. I haven't
yet heard it, but it's read by Grover Gardner, one of the best readers in the business. (Note: This version appears to be the shorter
version of the book. King was required to cut the book because the publisher wanted it shorter. Later, he restored the pages he was
forced to cut. This is NOT the uncut version.)
The story takes place in the far future. Scientists started to disguise their art as religion in order to remain important to
humanity. Gadgets were used to convince the masses of miracles. Over the years, the hierarchy grows in strength until it is actively
suppressing the people. A revolution occurs, with their own science - disguised as witchcraft to combat the church.
I found the whole novel riveting. Stefan Rudnicki's deep voice adds resonance to the faux religious characters. And the material
was fascinating. This was a fine introduction to Leiber's work for me. I'm eager to pick up some of his other work.
The story is about Cara, a young girl who travels through Luster, a place where unicorns live. They fled there from the Earth to
get away from hunters. She travels across the land to get her grandmother. The story progresses as Cara discovers things about her
grandmother and meets new and interesting characters.
The story is read by Bruce Coville and a full cast. Everyone does a great job. The result is a sort of cross between an audio drama
and a straight narration. There were times that I felt the narrator should step aside and let the characters do the talking, but
overall I found it very good. My son was rapt. In his words, "You gotta hear this; there's unicorns and griffins and Cara can do
really cool things with magic."
Enough said. Enjoy!
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Scott discovered the world of SF audio years ago, when he spent hours a day in his car. His commute has since shortened considerably, but his love for audio remains. By trade, he's an electrical engineer. Aside from reading and writing science fiction, his hobbies include community theater, where he can often be found behind the soundboard or (much less often) on the stage. |
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