I, Robot | ||||||||
Isaac Asimov | ||||||||
HarperCollins Voyager, 250 pages | ||||||||
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A review by Chris Przybyszewski
In today's world of 2005, the science of robotics has taken a back seat to genetics and the cloning made possible by the
bioengineering sciences. However, one look to Mars and the Titan moon of Saturn shows robotic arms, legs (wheels), and eyes
(sensors) doing those things that humans cannot because of the fragility inherent to their bones.
These robots have nothing resembling a human cortex, the part of the brain that creates reason, thinks ahead, and which makes
conscious decisions. Rather, these far-reaching automatons are machines that send and receive messages from their human
creators. Still, Asimov's point is clear: humans are creating a new type of life, one based on mechanics rather than biologics.
As creators, Asimov posits, humans should be mindful of how the creator treats the created. Will these new beings be
slaves? Will the legions of constructs be treated as animals? Will the human race consider these creations as equal
counterparts to the human on this blue orb?
My bet is not on the final choice, and in that, Asimov agrees.
The collection's first short story is about the first line of robots created by U.S. Robotics, the fictional company
behind the creation of this new species. "Robbie," the name of the story as well as the line of robots, was a non-verbal
robot, one that could not speak. The Robbie of this story is a nanny to a child of wealthy buyers.
To the child, Robbie is a best friend, a confidant, and a generally more loveable object than either parent. The
mother -- stereotypically -- thinks that Robbie is dangerous, though she would not take care of the child, herself.
Asimov moves past this usual tale of negligent parents with Robbie's characterization. For example, Robbie is infatuated
by child stories like Cinderella. The idea of a story is a human invention. Through stories, people can reach backwards and
forward in time. Through stories, humans can use that singular device of humanity: imagination. Apparently, Robbie feels the
same way. Perhaps Robbie's cognition of stories is the same as early humans, who are well known to be storytellers.
By showing the emergent qualities of this robot named Robbie, Asimov reminds his readers that creations with the capability of
growth might outstrip the growth of the creators. A later story called "reason" shows the Robot QT-1 (called "Cutie"), who
decides that his mission in existence is to serve the 'Master.' In this case, the Master is a vast energy-collecting machine
that funnels solar power from the sun to the Earth.
In accordance to Cutie's beliefs, the Master requires perfect control, a control that is impossible for humans to
create. Therefore, Cutie takes over the energy station, locks away the command counsel, and runs things on his own. Happily
for this futuristic Earth, Cutie serves his Master faithfully, and all are spared being blasted by out-of-control, condensed
solar radiation.
Control of Master implies that all protocol and safety regulations are followed. Control of the Master also implies that the
Master is enabled to do the job it was created to do: safely funnel energy from one spot to another. The irony is that
Cutie believes he is working the will of his Master. However, he is only following his programming: to safely control the Master.
Asimov's comment is that while humans exhibit extraordinary reasoning capabilities (when they so choose), this reasoning
might be -- at the end of the day -- a function of hardwired programming, given to us by some sort of creator (be it
biologic or spiritual).
Asimov shows the culmination of the robot evolution in the robot control of humankind, less than a century after Robbie's
creation. Robots now control humans in order to protect them, since Robots can ensure that the free will of humans will never
endanger the race again (though drunken toga parties are apparently off the humans' to do list as well). This collection
in I, Robot veers off course from the Will Smith movie. Whereas Smith, et al., destroy the smothering, but protective
robot mind, Asimov personally left the future of robotics to the mind of the reader.
This is appropriate because Asimov was never one for the present. Rather, he was one for the future. He did not care so
much for reality rather than possibility. In I, Robot, Asimov shows a future possible to a society bent on creating
without understanding the purpose or even the nature of that creation.
Chris learned to read from books of fantasy and science fiction, in that order. And any time he can find a graphic novel that inspires, that's good too. |
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