Command Decision | ||||||||
Elizabeth Moon | ||||||||
Del Rey, 400 pages | ||||||||
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A review by Sherwood Smith
Following is a quick summary of the first three books:
In the first novel, Trading in Danger, Ky Vatta got kicked out of the Slotter's Key system military academy. She
took a job in her family's interstellar trading firm, commanding an older merchant vessel on what was to be its final run. But
what ought to have been an uneventful, by-the-books first command turned out to be a fortuitous stroke of luck: Ky was not in
reach when the interstellar communications network was sabotaged by pirates who then took out influential families and
governments, thereby separating systems used to interstellar communication by ansible. Ky's family on Slotter Key was
hit especially hard.
In the subsequent books, Marque and Reprisal and Engaging the Enemy, we learn along with Ky what happened to local
systems; between Ky's high-stakes adventures and discoveries, the narrator shifts the reader to Slotter Key, where Ky's
supposedly dotty old Aunt Grace steps out of her crabby old bat role to take over as a lethally effective covert ops
agent, winnowing out the rot in the government that permitted that attack to take place.
Meanwhile Ky encounters family members who also escaped the attack, which is both bad and good. The good are cousins:
the beautiful Stella, who shows a real flare for trade, and fourteen-year-old Toby, who displays a brilliance for new
tech. Meeting the bad ones drives a lot of the subsequent action.
Ky discovers a mysterious letter of marque, enabling her to embark as a privateer. Trade is all but ruined by the
destruction of the ansibles, whose communications, while instantaneous, are planet-bound. Ky discovers how the pirates
coordinate their attacks, and why they have the tech edge -- therefore the military advantage.
In this book, Ky has decided that what the systems need is a space force to fight these pirates. Since no one else
is starting one, she will. Moon is so good at personal moments -- when Ky and her captains are discussing possible names
for their force, everyone is against Space Patrol, a scene that had me laughing out loud.
So. Ky is looking for support for her nascent fleet; Stella is recovering from the shock of a nasty revelation by
burying herself in business. She is aided by Toby's inspired help. There is a third storyline, hinted at through the
last couple of books and now taking its own place parallel to
Ky's: the mysterious, rather charismatic covert ops guy, Rafe, who is somehow connected to ISC, has gone off on his
own. At last we find out his secrets in a splendid series of action-packed, character-intensive scenes.
Meanwhile Aunt Grace is steadily working at rebuilding Slotter Key, so when communications are reestablished at last,
and everyone catches up with everyone else, we see vividly demonstrated just what these differences in tech mean for
ordinary life. Moon doesn't stop there: she shows how brand new tech can be overlooked in battle because no one has
had time to drill with it, much less see all its ramifications, echoing back to the early days of WW II when radio was
underused for the same reason.
Moon has begun to braid together the threads she developed over the past three books, which accelerates the
tension. In a pulse-pounding finish, two sets of good guys are racing mistakenly for one another as everyone
scrambles to communicate. But just as things seem likely to resolve...
Moon is so good with details, not just the realities of building a space force out of a bunch of civilians, traders,
tech-nerds, and gung-ho adventure nuts (there are three swashbuckling Musketeer types who stride into this story with
instant appeal and unexpected results) being molded into military thought, but she illustrates how new tech causes
rethinking of just about everything. She shows the realities of degraded weaponry and the wear-and-tear of space
battle (successful space battle, meaning you survived without much damage) on the structural integrity of
ships. And she makes it interesting, even vital. She shows how the older generation has to deal with handing
off power to the younger generation when circumstances radically change. And above all, she gives us a cast
of complex, interesting people as they cope with, and learn from, experience. I found it almost impossible to
put this book down, and am seriously disgruntled that the next is not in the immediate future. Like
tomorrow. So I guess it's time to reread them all again.
Sherwood Smith is a writer by vocation and reader by avocation. Her webpage is at www.sff.net/people/sherwood/. |
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