Inhuman Beings | ||||||||||||
Jerry Jay Carroll | ||||||||||||
Ace Books, 249 pages | ||||||||||||
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A review by Victoria Strauss
Aliens? Naturally, Goodwin is skeptical. He even feels a little guilty about taking Princess Dulay's
money. But as he moves deeper into the investigation, things begin to add up. Two men in a blue car are following
him around, and he begins to have a sense of something evil lurking just out of sight. Clairvoyants -- all
of whom, like Princess Dulay, have sensed a new and possibly malign psychic force in the world -- begin to die
in mysterious ways. Six public figures are murdered in a single day; others appear, inexplicably, to have undergone
serious personality changes. And someone or something seems determined to stop the investigation. The flophouse
where Goodwin is staying is incinerated in a flash of blue light one night when, accidentally, he isn't
there. And later, when he goes down to the harbor to follow up a lead, he suffers a Hitchcockesque seagull attack,
and narrowly escapes being eaten by a shark.
A believer at last, Goodwin sets out to convince the powers that be that Earth has been invaded, and, when that
fails, to save the world on his own. To succeed, he must stay ahead not just of the aliens -- who have taken
over a lot of Earth technology, and are able to commandeer telephones and security cameras and even spin dryers
to track and injure him -- but of the FBI, which thinks he's a mass murderer. No one can be trusted: the
aliens have worked out a way to inhabit human bodies, and it's nearly impossible to tell who's still human
and who's been taken over. In the end, of course, and after much tribulation and adventure, Goodwin does save
the day. I won't say how he manages it, only that it involves a senior citizen, a steam engine, and a nuclear device.
Inhuman Beings is published by a science fiction imprint, and doubtless will be marketed as science
fiction. Really, however, it is a genre-bender, a dizzy blending of one of the most cheesy of pulp SF concepts
with hardboiled shoot-em-up detective fiction. There is absolutely no reason why it should work, but it
does -- wonderfully. The narrative proceeds so fast the reader doesn't have time to question what's happening,
and Carroll manages to invest even his most impossible situations with a crazily consistent logic. The book's
punch is aided by a tight, lean prose style that doesn't waste a word and yet at times can be surprisingly lyrical,
and by Carroll's dry humor, which invests Goodwin's interior musings with a great deal of charm, and makes him much
more interesting and sympathetic than the two-dimensional B-movie character he outwardly resembles.
The book does have a flaw. The first two-thirds are beautifully paced and realized, but the final third, in which
Goodwin and members of the US government mount an offensive against the aliens, seems compressed and hasty, as if the
novelty of the concept had worn off and Carroll were rushing to finish. Plus, I was strongly reminded of a certain
recent blockbuster movie, in which the President of the USA and various brave military men and members of the
public foil an alien invasion. For me, this lent the last part of the novel a disappointingly formulaic
quality. Actually, it wouldn't surprise me to find out that Inhuman Beings is already optioned for
the movies; it's a story that would lend itself very well to film.
Reservations aside, I can recommend Inhuman Beings to anyone looking for a well-written, entertaining,
funny, and extremely offbeat read. I look forward to seeing what craziness this talented author comes up with next.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel The Arm of the Stone is currently available from HarperCollins EOS. For details, visit her Web site. |
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