This Immortal | ||||||||||||
Roger Zelazny | ||||||||||||
Victor Gollancz SF Collectors' Edition, 174 pages | ||||||||||||
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A review by Rich Horton
Millennium, another imprint of
Gollancz' corporate parent Orion, is doing a fine series as well, called SF Masterworks, leading to the odd
situation that one of Roger Zelazny's Hugo Award winning novels, Lord of Light, is published by
Millennium as an SF Masterwork, while his other Hugo winner, This Immortal, is published by
their corporate stable mate as an SF Collectors' Edition. But why quibble, as long as
they are both available?
This Immortal is a good read, with plenty of Zelaznyesque brio. I wouldn't say it's quite as
good as Lord of Light: indeed, by comparison, it seems a bit slight. For instance, I found the
ending a distinct anti-climax. It's still a book you ought to read, mind you, but it's just real good, not
great. It did win a Hugo, in a tie with Frank Herbert's Dune. (Technically, the Hugo went to the
version serialized in The Magazine of Fantasy and Science Fiction in 1965, "... and Call Me Conrad,"
which is somewhat different: most notably, it's about 50,000 words to the book version's 58,000 words.)
The storyline concerns Conrad Nomikos, one of about 4 million people still living on Earth centuries in the
future, after a nuclear war, and after the bulk of the population has gone to the stars to work for the advanced,
civilized Vegans. Conrad and some of his friends had years before been involved in the "Returnist" movement,
urging people to return to Earth, and resisting the Vegans' moves to buy up the best Earth real estate. Nowadays,
the situation is a stalemate, with Earth's exile population preferring not to return, but with the Vegans not
buying any more of Earth either. But Cort Mishtigo, a high status Vegan, has come to Earth to tour some of
the ancient sites. Conrad, who seems to have some mysterious past identities that go back a long way,
is recruited to guide Mishtigo, and to protect him from assassins. He is in danger because the more radical
Returnists believe that his "tour" is a pretext for evaluating more real estate, in advance of a renewed
Vegan buying campaign. Conrad is unsure of Cort's motives, and anyway unhappy with the idea of murder. The
novel consists, then, of Cort's tour, and a number of well-done battles between Conrad and a variety of
monsters and mutants. The fight scenes, and the descriptions of the mutants (based on Greek mythology),
are really good. It's only the eventual revelation of the Vegan motives that's a bit pat and anti-climatic.
Lest I be seen to damn with faint praise, I should reiterate that this is great fun to read, and very skilled
and clever. Conrad is a fairly standard Zelazny hero, wisecracking and self-deprecating. The dialogue crackles
throughout, and the other characters are nicely limned. Conrad's dilemma is believable: the conflict between
his professional desire to protect his client (along with his personal distaste for murder) and his loyalties
to Earth and the Returnists against the Vegan domination of Earth is well handled. And the various set-pieces
and fight scenes are exciting and original. And the ultimate message of the book, about proper stewardship
of our planet, and who deserves to be stewards, is clearly seen, and resolved with irony and honesty. It's
good to have this book in print again.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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