Drowned in Thunder | |||||
Christopher L. Bennett | |||||
Multi-cast production, adaptation | |||||
GraphicAudio, 5 hours | |||||
A review by Susan Dunman
Before Peter can dwell too long on the impact of bad public relations on his crime-fighting career, Electro appears on the
scene. Leading an attack on Manhattan with a horde of robots intent on stealing precious jewels from the Diamond District, the
robots are almost more than Spider–Man can handle. Predictably, Jameson accuses Spidey of being the one behind the Robot attack
and responsible for the numerous injuries suffered by New Yorkers during the rampage.
When robot attacks continue in the city without the presence of Electro, Spider-Man begins to believe that Jameson is behind the
metal-monster assaults and Jameson is convinced they are the work of Spider-Man. Both decide to prove that the other is orchestrating
these events, and that's when things get interesting.
This audio adaptation of the novel by Christopher L. Bennett offers a stellar production that combines multiple narrators, sound
effects and music to tell the story. The result is a listening experience that transports listeners to the top of New York
skyscrapers, the center of hard-fought battles, and the depths of guilt and self-doubt.
Tension builds throughout the story as the robots become increasingly powerful and no one can figure out who is controlling
them. However, because the robots don't talk, there's not much banter between super-villain and Spider-Man -- dialogue that
is particularly effective in audio. Ironically, even Spider-Man mentions that he misses the repartee during face-offs with
the robots. Fortunately, this situation doesn't last because, as we all know, super-villains can't stand to stay out of the
limelight for too long.
The dramatized style of this production really pulls listeners in, demanding their attention. I often drive while listening to
audiobooks, but found I couldn't concentrate on driving while listening to this adventure. So I listened while preparing meals
for the family. Of course, I couldn't concentrate on fixing the food either, but no one went hungry and no one became
ill, so I considered my listening strategy a success.
This is the second Marvel Comics production for GraphicAudio and their dramatized audio style works perfectly for comics. All
of the narrators did an excellent job, but my favorite was the voicing of Aunt May, which was perfect! The title is available
in either stereo or a 5.1 Surround Sound DTS-HD Master Audio format. The relatively short length of five hours makes it a fun
listen that requires nothing more than an enjoyment of comics and an appreciation for a certain webbed super-hero named Spider-Man.
Susan became a librarian many light years ago and has been reviewing books ever since. Audiobooks and graphic novels have expanded her quest to find the best science fiction in Libraryland. |
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