by Scott Danielson
|
Star Trek on Audio
I was flipping through the growing audiobook section at my local library and ran across one called
Star Trek: The Next Generation -- Q-Squared by Peter David and read by John De Lancie.
Since I'm a fan, I grinned and picked it up. It was a better experience than I imagined it would be. De Lancie's dramatic reading
was excellent, and the story was great entertainment.
Simon and Schuster Audioworks produces audiobooks of consistent high quality. Their Star Trek titles are no
exception. They've published over 50 Star Trek audiobooks since 1988, and all are very well produced. Sound
effects and music enhance the reading often performed by a Star Trek actor. (Some of the early ones had
two performers; George Takei doing the reading, and Nimoy doing some log entries as Mr. Spock.) The early audiobooks were each a
single 90-minute cassette, but now the norm is a more comfortable 2-cassette, 3-hour length. The stories are
abridged from the print versions to fit the 3-hour length.
The selections adapted for the 50+ audiobooks are with very few exceptions extremely entertaining. They are a wonderful
way to reconnect with the characters so many of us love from all 4 Star Trek series.
Here are the best of them:
Star Trek: The Next Generation -- Q-Squared by Peter David, read by John De Lancie. Length: 3 hours.
Star Trek -- Prime Directive by Garfield and Judith Reeves-Stevens, read by James Doohan. Length: 3 hours.
Star Trek: The Next Generation -- Imzadi by Peter David, read by Jonathan Frakes. Length: 3 hours.
Star Trek: Deep Space Nine -- Fallen Heroes by Dafydd ab Hugh, read by Rene Auberjonois. Length: 2 hours.
Star Trek -- Vulcan's Forge by Josepha Sherman and Susan Schwartz, read by Leonard Nimoy. Length: 3 hours. |
Scott discovered the world of SF audio years ago, when he spent hours a day in his car. His commute has since shortened considerably, but his love for audio remains. By trade, he's an electrical engineer. Aside from reading and writing science fiction, his hobbies include community theater, where he can often be found behind the soundboard or (much less often) on the stage. |
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